50 x 38 cm
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router. The weight of the cat that voluptuously outspreads on the router contrasts with the speed of the information circulating in the object—the two subjects are opposing in their essential existence. In a pragmatic way, the cat stretches on the router for the heat that emerges. The heat produced by the material allows the circulation of immaterial information. “Weight & velocity (cat on router)” is not just an image of a cat–– it is a visual encompassment of domesticity and warmth in contrast with the coldness of networks and technology.
Gabriel Pericàs (b. 1988, Palma de Mallorca, Spain) is interested in developing an ironic view of modernity and its many forms through manipulating design processes. Referencing the work of Duchamp, Richter and Baldessari, Pericàs writes texts that are staged into performances, in which certain of his already existing art pieces are actors. The artist is interested in situating the viewer in a space that is built between narration and formalism employing a variety of digressions and slips to question methods of communication. He has an interest in the invisible, what is before our eyes but which we do not perceive, the underground forces and the libidinal flows.
New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart The publication also explores how artists on the periphery might interact with the art market Claudia Barbieri Childs 6 February 2024 Share Portuguese-born, UK-based artist Manuel Bonifacio’s Motorbike and Man (2012) Courtesy the Outside In Collection The book Outside In: Exploring the margins of art presents works by a group of mostly contemporary “outsider” artists and argues a case for critiquing them on merit—and the outsider art category in general—within the mainstream of the art canon...
The Substation: An unstoppable force and an immovable object | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Substation's Facebook page, taken by Mish'aal March 9, 2021 By Nabilah Said, with additional reporting by Ke Weiliang On Saturday, 6 March 2021, almost 300 members of the arts community came together in a Zoom Townhall to discuss the fate of independent arts centre The Substation...
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series...
Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guillaume Chamahian — Détritique 2 Exhibition Photography, mixed media, video Upcoming Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 In 2 days: Wednesday, December 20, 2023 3 PM → 9 PM Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
Almost One by Jeamin Cha dives into an uncomfortable meditation on the relationship between socialization, performativity, truth, and childhood, filtered through the optics of a children’s acting class in South Korea...
Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted...
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...