50 x 38 cm
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router. The weight of the cat that voluptuously outspreads on the router contrasts with the speed of the information circulating in the object—the two subjects are opposing in their essential existence. In a pragmatic way, the cat stretches on the router for the heat that emerges. The heat produced by the material allows the circulation of immaterial information. “Weight & velocity (cat on router)” is not just an image of a cat–– it is a visual encompassment of domesticity and warmth in contrast with the coldness of networks and technology.
Gabriel Pericàs (b. 1988, Palma de Mallorca, Spain) is interested in developing an ironic view of modernity and its many forms through manipulating design processes. Referencing the work of Duchamp, Richter and Baldessari, Pericàs writes texts that are staged into performances, in which certain of his already existing art pieces are actors. The artist is interested in situating the viewer in a space that is built between narration and formalism employing a variety of digressions and slips to question methods of communication. He has an interest in the invisible, what is before our eyes but which we do not perceive, the underground forces and the libidinal flows.
“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...
New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart The publication also explores how artists on the periphery might interact with the art market Claudia Barbieri Childs 6 February 2024 Share Portuguese-born, UK-based artist Manuel Bonifacio’s Motorbike and Man (2012) Courtesy the Outside In Collection The book Outside In: Exploring the margins of art presents works by a group of mostly contemporary “outsider” artists and argues a case for critiquing them on merit—and the outsider art category in general—within the mainstream of the art canon...
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“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
This still life falls apart, or rather floats apart as the composition is proved unstable and constantly morphing...