122 x 155 cm
In the work We only move wehen something changes !!!, Olaf Breuning composes a portrait of posed antiglobalization protesters, each wearing clown noses, inside of a scene reminiscent of an event. Like in the work Easter Bunnies (2004) (photographs of the Moai of Easter Island with big ears and rabbit teeth supported by scaffolding) the artist introduces the outside frame into his photographic frame. The detail of the red noses, that punctuate the image, re-examine the photograph’s meaning by introducing the role of the absurd inside of contemporary global issues. At once critical and playful, Breuning doesn’t alienate his subjects. The young anti-globalization activists are not impaired. Instead, they are shot or snapped in a moment of confusion, which is equally shared by Olaf Breuning himself. The spelling mistake of ‘when’ creates a supplementary text of a subtext. “Wehen” in German signifies the act of floating in the wind and the pains of childbirth. A linguistic slip surprisingly in tune with the subject of the image, the photograph evokes youth’s generational gap torn between the uncertainties and desires of action.
Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art. Between fiction and reality, fairytales and triviality, nightmare and bad jokes, the artist immerses his viewers decidedly into a pop and kitsch culture which is constantly being revisited. His works, made up by quotations, collages, and sampling are highly built. Often hyper-aestheticized, they work as “script-machines” reminiscent of special effects from the film industry. The artist frequently holds up a distorting mirror to his viewer, posing several questions of critique and play. Olaf Breuning was born in 1970 in Schaffhausen, Switzerland. He lives and works in New York and Zurich.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
German Academy of Arts opens Otto Dix archive—and recalls a scandal Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Otto Dix news German Academy of Arts opens Otto Dix archive—and recalls a scandal Dix’s war painting The Trench, lost during the Second World War, is in focus at the opening Catherine Hickley 7 February 2024 Share Otto Dix's Der Schützengraben (The Trench) (1923) provoked a strong reaction when it was first displayed 100 years ago Photo: Hugo Erfurth, Akademie der Künste Berlin, Otto-Dix-Archiv A century after Otto Dix’s First World War painting The Trench (1923) provoked an outcry when it was displayed at the Prussian Academy of Arts in Berlin, the institution's successor, the Germany Academy of Arts , is opening to the public the inventory of the artist's works that he compiled—somewhat grudgingly...
Vivian Suter paints her canvases and then allows them to come in contact with natural elements...
Phillip Lai at Kiang Malingue – ARTOMITY 藝源 Phillip Lai / For Caution / Dec 12, 2023 – Jan 27, 2024 / Opening: Saturday, Dec 9, 3pm – 6pm / Wan Chai Gallery / Kiang Malingue 10 Sik On Street Wan Chai, Hong Kong Tuesday – Saturday, 12am – 6pm +852 2810 0317 kiangmalingue.com Kiang Malingue is pleased to present For Caution , an exhibition of new work by Phillip Lai...
Podcast 62: Unpacking the Contemporary in Traditional Dance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 23, 2019 Duration: 47 min Podcast host Amin Farid alongside fellow dance scholars Elizabeth Chan and Aparna Nambiar discuss their respective fields of study within traditional dance...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
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Tectonic Model is made from a number of leather bound books piled up in different formations that resemble architecture on top of a sawhorse desk...
Mark Bradford "Nobody Knows the Trouble I've Seen" Hauser & Wirth / Monaco | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...