12 x 4 x 3 cm
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals. A siliquaria armata is a slitworm that loosley-coiles a shell. Growing inside a sea-bed, a siliquaria armata will grow vertically until it touches another siliquaria armata, at which point they will knot together. Once caught by fishermen, the two worms die at the same time. Yeung undermines this romanticized phenomenon by emphasizing the emotionless in the process from the life to death of a slitworm. Yet while Yeung’s theoretical interrogation of life and death in nature and humankinds tendency to romanticize the unknown and the unknowable, “We both died at the same moment” simultaneously connotes a mythologisation of the slitworms. The vitrine, a showcase usually hosting Buddhist sculptures, common in Hong Kong, which houses the slitworm aggrandizes the phenomenon of dying at the same time of knotted siliquaria armata’s. “We both died at the same moment” puts into question the desire and tendency to romanticize nature, turning to a slitworm as a metaphor for beauty, life and death.
Trevor Yeung’s (b. 1988, Guangdong Province, China) practice, traversing a wide range of mixed media works from drawings and photographs, small objects and installations, is a delicate examination of human relations and processing. Using the human body, plants and animals as an aesthetic pretext to examine the processes of exchange and participation, Yeung projects emotional and intellectual scenarios onto biological substitutes. His allegory of the biological as the emotional interrogates the artificiality of nature and the capacity for a simulated construction of meaning. The artist creates worlds with their own logic, with his rules and that are connected to his own experiences. In doing so Yeung’s work invites his audiences to interrogate perspectives and challenge the creation of systems. He currently lives in Hong Kong.
Osmani Calls EU to Remove Sanctions on Kosovo and Grant Candidate Country Status - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight President of the Republic of Kosovo, Vjosa Osmani arrives at the EU-Western Balkans Summit in Brussels, Belgium, 13 December 2023...
The flat, wide river holds on its surface a tour-boat of memories, as Som Supaparinya documents her Grandfather’s return via cruise to familiar territories in rural Thailand that were submerged after the Thai government installed a series of dams...
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Art review: Larry Groff at Prince Street Gallery | Painters' Table Images only Larry Groff, Will be Wild, 2022, oil on linen, 36 × 52 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Nap Dream, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Gracias a la vida, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, My French Defense, 2023, oil on linen mounted on panel, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Unbroken Circle, 2023, oil on linen, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Circling the Square, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff: Flipped Prince Street Gallery, New York October 3 – 28, 2023 A lot is happening in Larry’s Groff’s recent paintings...
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Mark Rothko — Louis Vuitton — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mark Rothko — Louis Vuitton — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Mark Rothko Exhibition Painting Mark Rothko, Light Cloud, Dark Cloud, 1957 Collection of the Modern Art Museum Fort Worth, Museum purchase, The Benjamin J...
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