28:00 minutes
In the performance video Vitrina , María Teresa Hincapié stood inside a storefront window in downtown Bogota, unannounced, for eight hours a day, wearing a uniform and initially carrying out cleaning chores. As the day and passers went by, the routine became more playful: she would send kisses to bus drivers on the busy Avenida Jiménez who would return them, use the newspaper with which she was shining the glass to flirtatiously hide and engage with an improvised audience or draw the shape of her body with soap and a sponge. She would interrupt these chores to carry out other ‘feminine’ activities, like brushing her hair or applying make-up, only to return to frantically cleaning the transparent surface that separated her from the public. At times, her actions became more political, writing phrases in red lipstick on the now spotless glass that alluded to the nature of her being a working class woman in a violent, male-dominated society. Vitrina is a work that marks Hicapie’s transition from theatre to performance and addresses the very nature of a performing woman at the time: the expected activities of such a woman, the tension between the public and the private, the placement of her body behind a glass either as a servant or as an object to be consumed. Vitrina is one of the few works that were produced and made available by Hincapié during her lifetime and is a document of the emergence of performance art in the country.
María Teresa Hincapié is a seminal figure in Colombian performance art. Her artistic practice is based on rigor, physical strength, discipline, energetic ability, and an intense spiritual drive. These foundations were cultivated throughout her nine years of acting training with the group Acto Latino and strongly influenced by the Oriental Theater, the theories of Jerzy Grotowski, and the theatrical anthropology of Eugenio Barba. In 1987, unfulfilled by the theater and its limitations, she began experimenting with the artist José Alejandro Restrepo. Despite a brief career due to her untimely death from cancer in 2008, Hincapié paved the way for a robust performance art community in Colombia; her seminal work Una cosa es una cosa was a watershed moment in this regard. Throughout her career, Hincapié addressed key social issues such as humans’ relationship with nature; sacred, ancestral cultures and knowledges of Indigenous communities; and daily life from the perspective of a woman of humble origins.
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Gildas Le Reste — & Guests Exposition Dessin, estampe, peinture Gildas Le Reste, Notes de voyage #1, 2023 Encre sur papier marouflé sur toile Gildas Le Reste & Guests Encore 27 jours : 27 janvier → 9 mars 2024 La galerie Catherine Putman est heureuse de proposer une double invitation à Gildas Le Reste, comme artiste et commissaire d’exposition...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Prabhakar Pachpute was born in 1986 and raised in Chandrapur (Maharashtra), India, a place known as ‘The City of Black Gold’, where his family has worked for three generations in one of the oldest mines in the country...
Final works and a Pokemon mashup: New van Gogh exhibitions - arts24 Skip to main content Final works and a Pokemon mashup: New van Gogh exhibitions Issued on: 06/10/2023 - 16:58 11:53 arts24 © FRANCE 24 screengrab By: Marion CHAVAL | Aline BOTTIN | Magali FAURE | Alison SARGENT In this roundup of cultural news, we kick off with the winner of this year's Nobel Prize in Literature: Norwegian author and playwright Jon Fosse...
The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...
The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel...
Hyunjin Kim on Frequencies of Tradition Wednesday, April 6, 2022, 7.30 pm at California College of the Arts Hyunjin Kim, KADIST’s former Lead Curator for Asia (2017-2020), will discuss Frequencies of Tradition , the culmination of an eponymous series of exhibitions and programs initiated by KADIST in 2018...