Victory at Sea

2007 - Sculpture (Sculpture)

Dimensions Variable

Colter Jacobsen


Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus. The piece requires the viewer to turn a wheel and look through a small hole in order to see a briefly animated succession of small drawings of sailors.


Since 2003, Colter Jacobsen has gained in visibility and importance in the Bay Area art scene. His photographs, drawings, and installations are often evocative and possess a certain sublimity. The influence of artists from the Bay Area “Mission School” is manifest in Jacobsen’s predilection for creating installations and assemblages from materials bought in thrift stores, lost personal items found in the urban environment, and recycled packaging with unusual detail. Writer Kevin Killian has pointed out that many of his Jacobsen’s works deploy a very sophisticated gay semiotics.


Colors:



Knight #6
© » KADIST

Karl Haendel

2011

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Green Box
© » KADIST

Ari Marcopoulos

1998

A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...

Jackass
© » KADIST

Ari Marcopoulos

2008

In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...

This is not in Spanish
© » KADIST

Sergio De La Torre

2011

This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...

White Angel
© » KADIST

Fran Herndon

1962

Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...

!Women Art Revolution
© » KADIST

Lynn Hershman Leeson

2010

Hershman Leeson’s documentary, Women Art Revolution (W...

Lesbian Beds
© » KADIST

Tammy Rae Carland

2002

Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...

No Title
© » KADIST

Félix González-Torres

1992

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

Behold These Glorious Times!
© » KADIST

Trevor Paglen

2017

Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Half Dome Hough Transform
© » KADIST

Trevor Paglen

2020

Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...

VertiGhost
© » KADIST

Lynn Hershman Leeson

2017

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

Strange Culture
© » KADIST

Lynn Hershman Leeson

2007

Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...

Hydroforce
© » KADIST

Liz Cohen

2011

From among a cloud of fake smoke we see a heavily pregnant Cohen wearing a bikini and golden stilettos with lace-up straps wrapped around her legs, grasping onto the frame of a modified car as its loud hydraulic system clumsily moves it up and down...

Untitled (San Francisco)
© » KADIST

Edward Kienholz

1984

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...

Flutter
© » KADIST

Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

Lowrider Builder and Child
© » KADIST

Liz Cohen

2012

The photographic work Lowrider Builder and Child is a companion piece to the video Hydroforce , which features Cohen in the late stage of her pregnancy posing atop a German car that she transformed into a lowrider in a period of ten years...

Absentia
© » KADIST

Tony Oursler

2012

Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...