Vanishing Point

2014 - Film & Video (Film & Video)

Xiaoyun Chen

location: Hangzhou, China
year born: 1971
gender: male
nationality: Chinese
home town: Hubei Province, China

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect. The abstract quality of the expressive fragmented pictures and narrative text provide the viewer with an imaginative space that is broader than the one they would experience in a traditional linear narrative. The problem of reality becomes abstract, arousing reflection in the mind and heart. The video’s literary style gives the viewer a sense of reading. Although the questions are silent, the text increases the impact on the mind. By probing reality with poetic metaphor, Chen Xiaoyun’s works present a fragmented landscape that is produced through resistance against the systems of reality.


Chen Xiaoyun studied ink painting at the Chinese Academy of Arts and lived as a writer in Suzhou before becoming part of the Hangzhou video art community. Chen’s works stages scenes of everyday life with elements of the strange and the absurd in order to explore existentialist themes through narratives of visual linearity. Chen is drawn to nighttime scenes of ambiguity, making use of shadows and silhouettes in concert with simple plots and fixed scenery to reconcile disjuncture in gazes and assert connections between the filmic eye and reality.


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Other works by: » Xiaoyun Chen

Drag
© » KADIST

Xiaoyun Chen

2006

In the video work Drag, a man in a dark room pulls on the end of a rope...

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

2006

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

A Little Bit More Virtual Than Reality, A Little Bit Warmer than Craziness, A Little Bit Whiter Than Darkness, A Little Bit Longer than A heavy Sigh
© » KADIST

Xiaoyun Chen

2012

The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

2006

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...