Vanishing Point
2014 - Film & Video (Film & Video)
Xiaoyun Chen
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect. The abstract quality of the expressive fragmented pictures and narrative text provide the viewer with an imaginative space that is broader than the one they would experience in a traditional linear narrative. The problem of reality becomes abstract, arousing reflection in the mind and heart. The video’s literary style gives the viewer a sense of reading. Although the questions are silent, the text increases the impact on the mind. By probing reality with poetic metaphor, Chen Xiaoyun’s works present a fragmented landscape that is produced through resistance against the systems of reality.
Chen Xiaoyun studied ink painting at the Chinese Academy of Arts and lived as a writer in Suzhou before becoming part of the Hangzhou video art community. Chen’s works stages scenes of everyday life with elements of the strange and the absurd in order to explore existentialist themes through narratives of visual linearity. Chen is drawn to nighttime scenes of ambiguity, making use of shadows and silhouettes in concert with simple plots and fixed scenery to reconcile disjuncture in gazes and assert connections between the filmic eye and reality.
Colors:
Related works sharing similar palette
© » TWOCOATSOFPAINT
Coherent divergence at John Molloy Gallery – Two Coats of Paint Carter Hodgkin, Dither 12, cut paper collage with acrylic paint, inkjet & protective varnish on canvas over panel, 24 x 24 inches Contributed by Jonathan Stevenson / “Mutability,” a thoughtfully conceived and curated group show at John Molloy Gallery, by its title contemplates the elastic aesthetic capacities of painting, drawing, and sculpture...
© » KADIST
Jordan Kantor
2008Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
© » ART AND CAKE
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » ARTS EQUATOR
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 Artist letters, clockwise from top left: Letters from Mari Keski Korsu, Marietta Radomska, Lee Weng Choy and Filippa Ramos...
© » SLASH PARIS
J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next J’ai pleuré devant la fin d’un manga Exhibition Ceramic, drawing, film, lithography / engraving.....
© » KADIST
Shilpa Gupta
2014These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
© » KADIST
Ana Vaz
2022Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
© » SLASH PARIS
J’ai pleuré devant la fin d’un manga — Galerie Edouard-Manet de Gennevilliers — Exposition — Slash Paris Connexion Newsletter Twitter Facebook J’ai pleuré devant la fin d’un manga — Galerie Edouard-Manet de Gennevilliers — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant J’ai pleuré devant la fin d’un manga Exposition Céramique, dessin, film, lithographie / gravure.....
© » KADIST
Ghita Skali
2020The Hole’s Journey by Ghita Skali follows a complex political satire involving a worn-out floor, a political activist, and the Ouled Sbita tribe of Morocco...
© » KADIST
Shilpa Gupta
2014These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...