This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance. Central in his work is the construction and alteration of what he calls his Liquid Archive, a collection of images, narratives, drawings, shapes, and ideas that he uses to construct his unique visual language—a critical and stimulating space for fantasy, reality, and the blurring of the two. Amorales creates tensions between revealing and hiding the personal and the universal in his often-ambiguous and fluid constructions.
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
New York’s Rubin Museum to Shutter, Pursue Decentralized Model – Artforum Read Next: ITALIAN CULTURE MINISTER VITTORIO SGARBI EXITS UNDER PRESSURE Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
Art deco density: what we learned from Australia’s first apartment boom | Housing | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Invading suburbs which for years have been the pride of peaceful home-lovers,’ … Art deco apartment blocks on Campbell Parade, Bondi Beach in Sydney...
Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage...
20 Arts and Cultural Festivals to Visit in Southeast Asia in 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sunitha Janamohanan January 16, 2020 It’s the year 2020 and the world is rife with new Instagram filters, hashtag 2020vision (yes, we get it) and the perennial “new year, new me” declarations...
Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Construire — Corrélations entre le dessin et la céramique Exhibition Ceramic, drawing, mixed media, video Closing Hélène Mougin, La dune, 2023 Grès et faïence émaillés et photo résinée, 20 × 32 × 23 cm Hélène Mougin Construire Corrélations entre le dessin et la céramique Ends in 5 days: October 7 → December 16, 2023 Une idée se conçoit, se développe et devient projet construit...
Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Construire — Corrélations entre le dessin et la céramique Exposition Céramique, dessin, techniques mixtes, vidéo Derniers Jours Hélène Mougin, La dune, 2023 Grès et faïence émaillés et photo résinée, 20 × 32 × 23 cm Hélène Mougin Construire Corrélations entre le dessin et la céramique Encore 5 jours : 7 octobre → 16 décembre 2023 Une idée se conçoit, se développe et devient projet construit...
Image Cities - Photographs by Anastasia Samoylova | Interview by Gregory Eddi Jones | LensCulture Feature Image Cities Traversing 17 of the world’s most influential cities, Anastasia Samoylova’s latest body of work is a multi-layered exploration of the photographs that invade and occupy public space—and the many ways they infiltrate and shape our lives and desires...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Mohamed Bourouissa’s “ Shoplifters” Series was created in 2014-2015, in a neighborhood supermarket in Lefferts Garden, Brooklyn...
Ticket Alert: Usher Is Coming to Oakland Arena in September | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Ticket Alert: Usher Is Coming to Oakland Arena in September Sarah Hotchkiss Feb 6 Save Article Save Article Failed to save article Please try again Email Tickets for Usher’s North American tour ‘Past Present Future’ go on sale to the general public Feb...
Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage...
BSA Images Of The Week: 11.05.23 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Welcome to BSA Images of the Week! Nobody was out Friday night when we went to see “Stop Making Sense” on the screen; the streets of Manhattan and Brooklyn at 10 pm were rather lightly attended, possibly because everyone was recovering from a mid-week Halloween/Day of the Dead blast of drunkenness, revelry, laughter, and tears...
Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Criticism and Tears: The Emotional is Political in the Marcos State | ArtsEquator Skip to content When a film taps on emotions to distort historical facts, criticism that uses a rational, adversarial voice, above the work and the audiences who enjoy it may fail to dislodge the emotive power of the work’s narrative...