Untitled (Women)
2011 - Photography (Photography)
Matt Lipps
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity. Matt Lipps created this diptych by photographing a single arrangement of cutouts. As in his analogous portrait of men, the middle section appears twice, on either side of the split, signaling a stutter, a caesura, or a schizophrenic break. Within the cluster, fashion photography exists alongside frescoes, and demure piety butts up against unabashed sexuality. The women are bound not only by a fuchsia floodlight but also by a shared history. Western conceptions of beauty and eroticism are shown to sample widely and gluttonously, from tribal dance to a cowl-necked sweater.
Matt Lipps is a photographer whose strategies extend to include sculpture and installation. In his series Home (2008), jagged rocks and threatening ice floes impinge upon life-size domestic interiors. In a body of work entitled ‘70s (2004-2006), Lipps rephotographed 1970s male pornography, carefully lifting the models from their magazine pages, backing them with cardboard, and repositioning them amid contemporary, stage-lit bedspreads. Cropped elbows, toes, knees, and legs signal the switch in time and space, in a gesture of humorous transparency characteristic of his work.
Colors:
Related works of genres: » 21st-century american photographers, » photographers from california
» see more
© » ROYAL ACADEMY
Catherine Opie
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
© » APERTURE
An-My LE
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
Related works featuring themes of: » Abstract Versus Figurative Art, » Appropriation Art, » Art in Art, » Cinematic, » American
» see more
© » KADIST
Mark Leckey
2004In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
© » KADIST
Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
© » KADIST
Bjorn Copeland
2009Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
© » KADIST
Charles Gaines
1980To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
Other related works, blended automatically
» see more
© » KADIST
Matt Lipps
2011In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
© » KADIST
Mark Leckey
2004In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
© » KADIST
Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
© » KADIST
Milena Bonilla
2009Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Related works sharing similar palette
» see more
© » ARTS EQUATOR
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 28, 2021 We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia...
© » ARTNEWS RETROSPECTIVE
Roberta Smith on the Power of Donald Judd’s Criticism – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 28, 2020 1:04pm A page from ARTnews ’s October 1959 issue featuring Donald Judd's review of Yayoi Kusama's show at Brata Gallery...
Related works from the » 2010's created around » San Francisco, California
» see more
© » KADIST
Will Rogan
2010MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
© » KADIST
Phillip Maisel
2015While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
© » KADIST
Will Rogan
2014Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
© » KADIST
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Other works by: » Matt Lipps
» see more
© » KADIST
Matt Lipps
2011In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Related works found in the same semantic group
» see more
© » KADIST
Fabien Giraud & Raphael Siboni
2014– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal...
© » KADIST
Michael Armitage
2015In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...
