Untitled (Wheelchair drawing)

2006 - Drawing & Print (Drawing & Print)

Edgar Arceneaux

location: Los Angeles, California
year born: 1972
gender: male
nationality: American
home town: Los Angeles, California

Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat. In 2006, it was included in the exhibition, Alchemy of Comedy…Stupid at Artpace in San Antonio where Arceneaux explored the links between the medieval practice of alchemy and contemporary comedy. However, his particular image of the wheelchair is tragic, since it refers specifically to the comedian Richard Pryor, who became temporarily wheelchair-bound after being severely burned from drug use, and died prematurely of a heart attack in 2005.


Edgar Arcenaux received a BFA from the Art Center College of Design in Pasadena, California and a MFA from the California Institute of Arts in Valencia, California. Arceneaux’s work weaves together apparently disconnected myths, political events, and historical facts through complex and codified drawings and conceptual montages. His practice aims to create meaning by linking the seemingly unrelated, and therefore resists easy categorization or linear logic.


Colors:



The Bedroom
© » KADIST

Barbara Bloom

1997

In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...

True Red
© » KADIST

Danielle Dean

2016

In 2003, Nike released a pair of red and black sneakers (the Dunk Low Pro SB ) that were marketed as “vampire” sneakers...

Blindseye Arranger (Max)
© » KADIST

Brian Bress

2013

Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...

True Red Ruin (Elmina Castle)
© » KADIST

Danielle Dean

2017

In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...

Deredemiux
© » KADIST

Kadar Brock

2007

Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...

EASTER MORNING
© » KADIST

Bruce Conner

2008

Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...

Lowrider Builder and Child
© » KADIST

Liz Cohen

2012

The photographic work Lowrider Builder and Child is a companion piece to the video Hydroforce , which features Cohen in the late stage of her pregnancy posing atop a German car that she transformed into a lowrider in a period of ten years...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Nuevo Dragon City
© » KADIST

Sergio De La Torre

2008

Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Untitled
© » KADIST

Mark Bradford

2012

This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

I (heart) Data Mining
© » KADIST

Amy Balkin

2012

Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...

27 Punk Photos: 11. Dim Wanker: F Word, May, 1978
© » KADIST

Bruce Conner

1978

In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...

Untitled
© » KADIST

Trisha Donnelly

2007

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...

Untitled (Construction)
© » KADIST

Larry Bell

2007

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...

This is not in Spanish
© » KADIST

Sergio De La Torre

2011

This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...

No Lye
© » KADIST

Danielle Dean

2012

No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...