Untitled

2007 - Photography (Photography)

10 x 8 in.

Trisha Donnelly

location: New York, New York
year born: 1974
gender: male
nationality: American
home town: San Francisco, California

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.


Trisha Donnelly (b. 1974, lives in New York) is an artist who moves through different media, often translating between them or pushing their boundaries. Every aspect of her work’s execution and presentation—from its title and press release to exhibition wall texts—is included in this play. Through these material and conceptual strategies, Donnelly engages with ideas about time, presence, and the imagination. She received her MFA from Yale University in 2000 and her BFA in from the University of California, Los Angeles, in 1995. Recently, she was awarded the 2017 Wolfgang Hahn Prize.


Colors:



Related works featuring themes of: » Color Photography, » Emerging Art, » Film/Video, » Performance Art, » American

Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

2012

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

2008

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

2013

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

The Magic Mirror of John Dee
© » KADIST

Joachim Koester

2006

Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...

Universal Futurological Question Mark (U.F.O)
© » KADIST

Julius Koller

1978

This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...

Monologika - Yoyo 1.,2. (U.F.O.)
© » KADIST

Julius Koller

1982

The photograph Monologic – Yo-Yo 1, 2 (U...

Walking Through
© » KADIST

Koki Tanaka

2009

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Vanishing Point
© » KADIST

Xiaoyun Chen

2014

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...

The Pixelated Revolution
© » KADIST

Rabih Mroué

2012

The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...

Mickey Mouse
© » KADIST

Paul McCarthy

2010

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...

A Slap in Wuhan
© » KADIST

Li Liao

2010

A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011...

The Stray Man
© » KADIST

Roman Ondak

2006

“A man wanders near the windows of a gallery, situated adjacent to the street...

Memory Mistake of the Eldridge Cleaver Pants
© » KADIST

Paul McCarthy

2008

Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...

Until It Makes Sense
© » KADIST

Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

Spaceship sketches of The Lemurian
© » KADIST

Yin-Ju Chen

2011

This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...

Office Voodoo
© » KADIST

Haegue Yang

2010

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

UFO-Expedition (U.F.O.)
© » KADIST

Julius Koller

1982

Wordplay was a central focus of Koller’s work, in particular the acronym U...