10 x 8 in.
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
Trisha Donnelly (b. 1974, lives in New York) is an artist who moves through different media, often translating between them or pushing their boundaries. Every aspect of her work’s execution and presentation—from its title and press release to exhibition wall texts—is included in this play. Through these material and conceptual strategies, Donnelly engages with ideas about time, presence, and the imagination. She received her MFA from Yale University in 2000 and her BFA in from the University of California, Los Angeles, in 1995. Recently, she was awarded the 2017 Wolfgang Hahn Prize.
In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Slow Graffiti was produced for Da Corte’s exhibition at the Vienna Secession in 2017...
Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...