Untitled

2007 - Photography (Photography)

10 x 8 in.

Trisha Donnelly

location: New York, New York
year born: 1974
gender: male
nationality: American
home town: San Francisco, California

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.


Trisha Donnelly (b. 1974, lives in New York) is an artist who moves through different media, often translating between them or pushing their boundaries. Every aspect of her work’s execution and presentation—from its title and press release to exhibition wall texts—is included in this play. Through these material and conceptual strategies, Donnelly engages with ideas about time, presence, and the imagination. She received her MFA from Yale University in 2000 and her BFA in from the University of California, Los Angeles, in 1995. Recently, she was awarded the 2017 Wolfgang Hahn Prize.


Colors:



The Bedroom
© » KADIST

Barbara Bloom

1997

In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...

Blindseye Arranger (Max)
© » KADIST

Brian Bress

2013

Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...

I (heart) Data Mining
© » KADIST

Amy Balkin

2012

Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...

Related works featuring themes of: » Color Photography, » Emerging Art, » Film/Video, » Performance Art, » American  
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Exquisite Eco Living (executive Properties series)
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Vincent Leong

2012

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Awaiting Enacted
© » KADIST

Roman Ondak

2003

This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...

Spaceship sketches of The Lemurian
© » KADIST

Yin-Ju Chen

2011

This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...

Other related works, blended automatically  
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Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

2012

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Untitled 6/10 i-xxii
© » KADIST

Nathaniel Dorsky

2010

Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...

Related works from the » 2000's created around » New York, New York  
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Forest Gathering N.2
© » KADIST

Gregory Crewdson

2005

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Stowe
© » KADIST

James Welling

2006

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

Untitled (Ruby Downing sitting between two Unidentified Men in a Room), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Related artist(s) to: Trisha Donnelly » Hans Ulrich Obrist, » Paul Chan, » Rachel Harrison, » Bruce Nauman, » Louise Lawler, » Matthew Barney, » Seth Price, » Charles Ray, » Anri Sala, » Daniel Birnbaum  
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Ghost games
© » KADIST

Anri Sala

2002

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

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Lutz Bacher, Sweet Jesus
© » KADIST

KADIST presents Sweet Jesus , an audio work by Lutz Bacher...

‘Love at First Sight’ Inspired This African Art Collection - via The New York Times
© » LARRY'S LIST

Olusanya Ojikutu, who has origins in Nigeria and education and experience in art, shares treasures of African culture and history....

The Family Business: Illustrious Art-World Fathers and Sons on How Art Has Transformed Their Relationships - via artnet news
© » LARRY'S LIST

Larry and Adam Fields, Marc and Arne Glimcher, and Anton and Evgeny Svyatsky discuss how they engage with art as a family....

Yoke
© » KADIST

Diane Simpson

2012

Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...