As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous. Set against a blank white background, as in Untitled (2015), Ojih Odutola’s figures are stark, resolute in their darkness. The surface of her subject’s skin becomes ribbon-like, lines weaving across the contours of their head and neck. The simplicity and starkness of Ojih Odutola’s composition—most often, black on white, sometimes with shots of color woven through the deep black lines—enable a consideration of skin, blackness, surface, and detail, all hovering out of time and space.
Though born in Nigeria, artist Toyin Ojih Odutola was raised largely in the United States, living in Alabama, California, and now New York. Known for her intricate drawings of human heads and figures, Ojih Odutola’s artistic practice is concerned with the representation of race, and the concept of blackness as visual marker and social construct. Her drawings are made through intricately and fastidiously layering black lines—building up a density that Ojih Odutola describes as “black on black on black.” Using pens and markers as her primary media, Ojih Odutola builds textures through sinewy black lines, shot through at times with metallic color. The ripples and rolls of the figures’ surfaces recall the anatomical structure of musculature, and also provide an unreal look to her often stoic figures.
Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation...
A Jacob Lawrence Expert on a Profile of Him from ARTnews’s Archives – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 24, 2020 1:35pm George Chinsee Jacob Lawrence (1917–2000) was one of the deftest documentarians of African-American life in the United States, and over the next few years, people across the country will get a chance to see one of his greatest series of paintings, “Struggle: From the History of the American People” (1954–56), united in full for the first time...
Soooo, when Malcom Gladwell’s podcast network reaches out to you and says, “Hey Danielle, would you like to share part of an interview we did with Marina Abramović with your listeners”, you say, “ummm, OKAY!” I’ve put a little mini episode together, featuring a 20 minute excerpt from their show, “Talk Easy with Sam Fragoso”...
Open Call for AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 12, 2021 ArtsEquator and Goethe-Institut Singapore are pleased to announce the launch of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 ...
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
This untitled painting by Tirdad Hasemi presents a space that can be thought of as both a prison cell and a house...
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
Caroline Polachek gets festive with Bimba y Lola | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Q+A Shot by Petra Collins, the singer is the face of the Spanish label’s latest Christmas campaign Bimba Y Lola 11 December 2023 Text Dazed Digital Bimba y Lola by Petra Collins featuring Caroline Polachek 6 Last year, Bimba y Lola enlisted photographer Petra Collins for its AW22 campaign...
The 50 best K-pop tracks of 2023 | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music Dazed Review 2023 From Jung Kook to NewJeans and aespa, we look back on the K-pop tracks that ruled the last 12 months Text Taylor Glasby 15 December 2023 If the past few years have been focused on expanding K-pop (more global tours and festivals, more English releases), then 2023 was the expansion of the industry’s biggest companies’ interests beyond K-pop itself...