Untitled (Tobacco Barrel)
2018 - Sculpture (Sculpture)
60.96 x 53.34 x 25.4 cm
Nadia Myre
First exhibited as part of the recent multidisciplinary project Code Switching and Other Work , at Art Mûr, Berlin in late 2018, Nadia Myre’s Untitled (Tobacco Barrel) takes inspiration from the cylindrical vessels used to import tobacco from North America to Europe during periods of early colonial settlement. Responding to the history of clay pipe production in the ports of London, Bristol, and Glasgow by weaving together the literal detritus of the colonial tobacco trade, Myre’s work poetically untangles material links between the British Empire, Canada, and Indigenous peoples. Following contact with the so-called New World in the 1600s, the growing popularity of tobacco use in Europe led to the design and widespread manufacturing of disposable, pre-stuffed clay tobacco pipes in Britain. An appropriation of the implements traditionally used by Indigenous peoples to smoke dried tobacco leaves, the clay pipe was among the first commodities meant to be discarded post-use, with its stem designed to be broken off in segments as the user consumed the tobacco.
The work of Nadia Myre, member of the Kitigan Zibi Anishinabeg First Nation, is notable for its embrace of cross-cultural mediations as a strategy towards celebrating and reclaiming the far-reaching intellectual and aesthetic contributions of Indigenous communities. Concerned with the specificities of the Anishinabeg as well as pan-Indigenous experiences of loss and resilience and the struggle for healing and reclamation — though not necessarily reconciliation — Myre’s research and material practices examine the languages of power inherent in the mechanisms of museum display formats and their resulting production (and erasure) of knowledge. Reclaiming historical objects and archival documents like the Canadian Federal Government’s Indian Act through re-creation via traditional means such as communal weaving and beading circles, Myre’s artistic work initiates timely discussions regarding Indigenous rights and futures. In wider terms, the artist’s approach also provokes reflection on the role of object-centred scholarship and craft production within visual arts practice, testing the boundaries of how material history and craft are understood and positioned within established, rarefied contexts of artistic display.
Colors:
Related works sharing similar palette
© » ARTFORUM
New York’s Rubin Museum to Shutter, Pursue Decentralized Model – Artforum Read Next: ITALIAN CULTURE MINISTER VITTORIO SGARBI EXITS UNDER PRESSURE Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » KADIST
Sheelasha Rajbhandari
2018Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage...
© » KADIST
Joana Hadjithomas & Khalil Joreige
2017Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Uncomformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
© » ART & OBJECT
Activists Attack Diego Velázquez’s Venus at London's National Gallery | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » 1854 PHOTOGRAPHY
The power of collaboration, laid out for all to see - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Uyghur Community © Carolyn Drake Gathering hundreds of images and contributors, a new book challenges narratives on photographic history and collaboration On 13 March 2021, Patsy Stevenson attended a vigil in London for Sarah Everard, a young woman who had been raped and killed by a serving police officer...
© » KADIST
Jedediah Caesar
2010After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
© » KADIST
In this interview shot at the Amphithéâtre de morphologie, École des beaux-arts, Paris, Artist and director Hikaru Fujii introduces Les nucléaires et les choses , an ongoing project that unfolds in KADIST in May 2019, taking the Futaba Town Museum of History and Folklore as a starting point and grounds for speculation after the Fukushima-Daiichi nuclear accident...
© » KADIST
Shimabuku
2006For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
© » KADIST
Haegue Yang
2016A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
© » ARTSJOURNAL
DSO extends music director's contract through 2031; new album on the way BRIAN MCCOLLUM DSO extends music director's contract through 2031; album of Wynton Marsalis symphony on the way Brian McCollum Detroit Free Press View Comments Detroit Symphony Orchestra music director Jader Bignamini has been given a contract extension through 2031, the DSO’s governing board announced Thursday...
© » KADIST
Abel Rodríguez
2018Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions...
