Untitled (The way in is the way out)

2010 - Drawing & Print (Drawing & Print)

Alicia McCarthy

location: Oakland, California
year born: 1969
gender: female
nationality: American
home town: Oakland, California

A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.


San Francisco-based Alicia McCarthy graduated from the San Francisco Art Institute in the late 1990s and later pursued an MFA at UC Berkeley. She is now considered part of the first generation of “Mission School” artists, alongside Barry McGee, Rubi Neri, and Rigo23. McCarthy’s early work was largely associated with collective practices, graffiti art, and San Francisco’s active queer punk scene. In line with a trend that rejects the use of consumer goods, McCarthy’s paintings often begin with found materials such as discarded wood panels, on which she paints and draws with acrylic, latex, graphite, or crayon.


Colors:



Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

2008

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Central Station
© » KADIST

Firenze Lai

2013

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...

Floor, Legs
© » KADIST

Elad Lassry

2013

In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...

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Untitled (Colors) and Untitled (Ghost)
© » KADIST

Alicia McCarthy

2010

A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

2008

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Up All Night, Waiting for the Chelsea Hotel Magic to Spark my Creativity
© » KADIST

Mario Garcia Torres

2010

In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...

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Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art
© » LE MONDE

Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Le Combat » (1928), de Giorgio De Chirico...

Le Louvre va augmenter ses tarifs de 29 % à partir du mois de janvier
© » LE MONDE

Le Louvre va augmenter ses tarifs de 29 % à partir du mois de janvier Offrir Le Monde A partir du 15 janvier 2024, l’entrée va passer à 22 euros, après être restée à 17 euros depuis 2017...

The Desi Boys will show you Kolkata from the streets
© » 1854 PHOTOGRAPHY

The Desi Boys will show you Kolkata from the streets - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from Desi Boys © Soham Gupta Soham Gupta made his name capturing Kolkata’s unseen poor...

Still Waiting
© » KADIST

Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...

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Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Serengeti Green
© » KADIST

Phillip Maisel

2015

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Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

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Untitled (Colors) and Untitled (Ghost)
© » KADIST

Alicia McCarthy

2010

A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...

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Les allégories
© » KADIST

Chloé Quenum

2017

The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...

Untitled
© » KADIST

Apostolos Georgiou

2016

Untitled (2016) is characteristic of the artist’s practice...

Ballerina
© » KADIST

Liu Yin

2010

Liu Yin brings the tension of a small but imminent catastrophe into the gallery with a raw egg balanced on the edge of a folding table....