A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.
San Francisco-based Alicia McCarthy graduated from the San Francisco Art Institute in the late 1990s and later pursued an MFA at UC Berkeley. She is now considered part of the first generation of “Mission School” artists, alongside Barry McGee, Rubi Neri, and Rigo23. McCarthy’s early work was largely associated with collective practices, graffiti art, and San Francisco’s active queer punk scene. In line with a trend that rejects the use of consumer goods, McCarthy’s paintings often begin with found materials such as discarded wood panels, on which she paints and draws with acrylic, latex, graphite, or crayon.
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Le Combat » (1928), de Giorgio De Chirico...
Frontier Danceland's "Milieu" 2018: Emotional Rollercoasters | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng December 10, 2018 By Winnie Chen Dixon (860 words, four-minute read) It was a night of emotional rollercoasters and an audio-visual feast at Frontier Danceland’s double bill Milieu 2018 ...
Rediscovered panels by proto-Renaissance master Lorenzetti soar at auction Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Rediscovered panels by proto-Renaissance master Lorenzetti soar at auction A painting depicting Pope Sylvester I made €3m, while a portrayal of Saint Helena more than doubled its high estimate, selling for €1.6m Kabir Jhala 14 December 2023 Share Pietro Lorenzetti's depiction of Pope Sylvester I (left) and Saint Helena (right) "Rare" is a word all too commonly employed by auction house marketing teams, but in the case of two panel paintings by the early 14th-century Sienese master Pietro Lorenzetti that sold at Paris auction house Tajan last evening, its use is justified...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...