Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness. Whereas avant-garde paintings strove to suggest nothing but their own essence, Lambri inverts this aim, using the two-dimensionality of the photographic print to point elsewhere.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface. The photograph is an ethereal portrait of Schindler’s work and ethos, evoking the building without actually depicting its concrete slabs and untreated wood.
Squid Currency is a series of 13 non-calibrated double-sided tin coins made using a casting technique dating back to Neolithic times where cuttlebones (squid bones) were carved by hand and then used as a mold...
Adrien Missika follows in the footsteps of the Brazilian landscape architect and artist Roberto Burle Marx (1909-1994), a designer of gardens, parks and promenades who introduced modern landscape architecture to Brazil...
Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation...
Why artists fear online safety laws will chill freedom of expression Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Technology comment Why artists fear online safety laws will chill freedom of expression Free expression groups and creatives believe the price of “safety” on the internet may be the exclusion of marginalised artists and groups, and an end to online privacy for all Emma Shapiro 15 December 2023 Share Lawmakers want the ability to search encrypted messages for child sexual abuse material © terovesalainen The internet is on the brink of another revolution, but not because of starry-eyed startups or out-of-touch tech executives...
Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash...
Open Call for AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 12, 2021 ArtsEquator and Goethe-Institut Singapore are pleased to announce the launch of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 ...
In order to make If I dig a very deep hole (2007) the artist looked for the extreme geographical opposite of Paris when drawing a straight line throughout the globe...
Miercoles cerca de las 7 de la tarde by Caroline Fusilier portrays two quantum computers that are mobile, with human-esque legs, these are systems at the edge of biology...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
This is one of the most important works Schoorel has made to date, a triptych that has as its subject matter a garden scene with what looks like a pond...
Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass...
Taylor Swift doesn’t want us to know about her carbon footprint | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music Opinion The singer has threatened legal action against a 22-year-old student who has been tracking her private jet, claiming his actions constitute ‘stalking’ 8 February 2024 Text Diyora Shadijanova Taylor Swift doesn’t want you to know that she flew her private jet 13 minutes from one side of a city to another, the same journey which takes 30 minutes by car ...