Untitled (Sten-Frenke House #04)

2007 - Photography (Photography)

Luisa Lambri

location: Los Angeles, California
year born: 1969
gender: female
nationality: Italian
home town: Como, Italy

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness. Whereas avant-garde paintings strove to suggest nothing but their own essence, Lambri inverts this aim, using the two-dimensionality of the photographic print to point elsewhere.


Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface. The photograph is an ethereal portrait of Schindler’s work and ethos, evoking the building without actually depicting its concrete slabs and untreated wood.


Colors:



Related works sharing similar palette

Squid Currency
© » KADIST

Natsuko Uchino

2020

Squid Currency is a series of 13 non-calibrated double-sided tin coins made using a casting technique dating back to Neolithic times where cuttlebones (squid bones) were carved by hand and then used as a mold...

Botanical Frottage (Lauren)
© » KADIST

Adrien Missika

2013

Adrien Missika follows in the footsteps of the Brazilian landscape architect and artist Roberto Burle Marx (1909-1994), a designer of gardens, parks and promenades who introduced modern landscape architecture to Brazil...

Drowned Wood Standing Coiled
© » KADIST

Christopher Badger

2011

Drowned Wood Standing Coiled (2011) consists of two sculptures, inextricably linked...

Do The Arts (And Artists) Have A Future In Singapore?
© » ARTS EQUATOR

Do The Arts (And Artists) Have A Future In Singapore? Skip to content Without a doubt, Singapore has well-established its status as the premier financial hub in Southeast Asia...

Nachbau
© » KADIST

Simon Starling

2007

Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...

Private Art Collections Go on Show in New Exhibit by ‘Dubai Collection’ - via Arab News
© » LARRY'S LIST

DUBAI: Visitors to Dubai can now enjoy a rare opportunity to access prominent private collections of modern and contemporary Arab art that have been made public at the Etihad Museum...

Liam Everett: INUTILE
© » KADIST

Drinks at 6pm, performance at 7pm On the occasion of Kadist’s current exhibition A Painting is a Painting isn’t a Painting , and in collaboration with RITE Editions and Altman Siegel Gallery , Kadist launches Liam Everett’s limited edition artist book, INUTILE ...

Ventana indiscreta (Rear Window)
© » KADIST

Karen Lamassonne

1989

Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...

Francisco Camacho lecture
© » KADIST

In New Mexico, Camacho investigated the reasons why the inhabitants of a village decided to change its name Truth or Consequences in the 50’s; with Group Marriage, an on-going project as part of the Amsterdam Spinoza Manifestation (2009), he petitions the Dutch parliament to open civil marriage to groups of citizens who would marry each other...

10 Things You Should Know About: Malay Dance
© » ARTS EQUATOR

10 Things You Should Know About: Malay Dance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 7, 2021 10 Things You Should Know is a series of short animated videos on aspects of Malay culture and heritage, made in partnership with Wisma Geylang Serai...

Why artists fear online safety laws will chill freedom of expression
© » THEARTNEWSPER

Why artists fear online safety laws will chill freedom of expression Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Technology comment Why artists fear online safety laws will chill freedom of expression Free expression groups and creatives believe the price of “safety” on the internet may be the exclusion of marginalised artists and groups, and an end to online privacy for all Emma Shapiro 15 December 2023 Share Lawmakers want the ability to search encrypted messages for child sexual abuse material © terovesalainen The internet is on the brink of another revolution, but not because of starry-eyed startups or out-of-touch tech executives...

Brooklyn Arts Nonprofit BRIC Lays Off 16 Employees
© » HYPERALLERGIC

Brooklyn Arts Nonprofit BRIC Lays Off 16 Employees Skip to content Located at 647 Fulton Street, BRIC House hosts the public access television center, an Artist Studio, a gallery, and other programming spaces...

Taylor Swift doesn’t want us to know about her carbon footprint
© » DAZED DIGITAL

Taylor Swift doesn’t want us to know about her carbon footprint | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Music Opinion The singer has threatened legal action against a 22-year-old student who has been tracking her private jet, claiming his actions constitute ‘stalking’ 8 February 2024 Text Diyora Shadijanova Taylor Swift doesn’t want you to know that she flew her private jet 13 minutes from one side of a city to another, the same journey which takes 30 minutes by car ...

Dilemma, three way of fork in the road
© » KADIST

Jianwei Wang

2007

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

Tarek Atoui
© » KADIST

Drinks at 6pm, event at 7pm Artist and electroacoustic composer Tarek Atoui’s work often radiates around large-scale, collaborative performances that develop from extensive research into the history of music and instrumentation, while also exploring new methods for production...

Interview with Cheikh Ndiaye
© » KADIST

In conversation with curator Alicia Knock in his studio, artist Cheikh Ndiaye describes painting as a “memory device”, and discusses its relation to architecture, urban planning, archive and colonial history in Africa...

Spectacle and Subtlety: Pluralistic Developments in Digital Art
© » MUTUALART

Digital art continues to expand its footprint across art institutions, entertainment venues, and architectural settings, even after a long bear market for......

Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Interview with Pio Abad
© » KADIST

In this interview, artist Pio Abad discusses his solo exhibition Kiss the Hand You Cannot Bite that draws from multiple histories of exile, resistance, and displacement from the ’70s and ’80s that brought Filipinos to California, home today to one of the largest diasporas of this community in the world...