Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval. Untitled (Set of Six Drawings) (2012) is an intricate watercolor of a child sitting cross-legged with its head stuck inside a giant mask resembling a duck head covered with eyes. It looks like a scene snatched from science fiction or a surreal dream; it is tempting to see in it some kind of warning sign, or an ominous vision of the future.
Adrian Villar Rojas’s sculptures and drawings envision the end of human civilization. Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval.
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials...
Another Man is relaunching for a new era of men’s fashion | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion News The cult menswear magazine will return next spring, with editor-in-chief Ellie Grace Cumming at the helm 12 December 2023 Text Dazed Digital AnOther Man Starring Robert Pattinson 6 Another Man is officially back...
Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...
The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...