Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.
Known for his installations and assemblages, Edward Kienholz was part of a generation of important artists—including Robert Irwin, Ed Moses, Craig Kauffman, and John Altoon—who established and exhibited at Ferus Gallery in Los Angeles in the 1950s. The booming art scene around Ferus gave visibility and credibility to West Coast contemporary art. Highly critical of modernism, Kienholz’s theatrical assemblages of found objects and decaying detritus often refer to current events and social issues.
Brent Sikkema, the Manhattan art dealer renowned for representing artists such as Jeffrey Gibson and Kara Walker found dead The post Brent Sikkema – Visionary Art Dealer Of Jeffrey Gibson And Kara Walker Murdered appeared first on Artlyst ....
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Memory: Record/Erase is a stop-motion animation by Nalini Malani based on ‘The Job,’ a short story by celebrated German poet and playwright Bertolt Brecht...
The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoni Tàpies — Les Armes d’Éros Exhibition Painting Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
"Off Stage" at M1 Contact 2018: Communicating Beyond The Stage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image courtesy of M1 Contact Contemporary Dance Festival August 8, 2018 By Bernice Lee (1100 words, six-minute read) M1 Contact Contemporary Dance Festival has become a staple of the contemporary dance scene in Singapore...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...