Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language. The images in the ZZYZX series begin in the desert east of Los Angeles and drift west, through the city, and finally end at the Pacific ocean. This general westward movement is a pilgrimage toward the ocean, and alludes to the manifest expansion of America from east to west. The people, places, and animals in the series did appear before Halpern’s camera, but he has selected and organized the images into a work of fiction or fantasy, with assistance from artist Jason Fulford on the sequence. The work brings together seemingly disparate images of environmental crisis, kinship, entertainment, urbanity, and stunning vistas. There is a strange narrative harmony to the series—the sublime, the psychedelic, and the self-destructive. Southern California is unpredictable, wild. Cultures and histories coexist, the beautiful sits next to the ugly, the redemptive next to the despairing, and all under the golden state’s radiant light, as transcendent as it is brutal.
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering. Combined with a curiosity about the elusive qualities of Americanness, he makes images that mix documentary and fiction. He has been celebrated for his pioneering photobooks, which involve rich colors, thoughtful sequencing, and evocative associations between images as a form of storytelling.
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This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
Weekly Picks: Malaysia (16 – 22 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Malaysia July 16, 2018 Hua (華) Settler Imaginary in Borneo , at Malaysia Design Archive, 19 July 8pm Academic Dr Zhou Hau Liew presents ‘ Preliminary Thoughts on the Hua Settler Imaginary in Borneo: Cultural Mapping, Revolutionary Communism, and the Ideas of Chineseness ’...
A Jacob Lawrence Expert on a Profile of Him from ARTnews’s Archives – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 24, 2020 1:35pm George Chinsee Jacob Lawrence (1917–2000) was one of the deftest documentarians of African-American life in the United States, and over the next few years, people across the country will get a chance to see one of his greatest series of paintings, “Struggle: From the History of the American People” (1954–56), united in full for the first time...
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AI Artwork Projected on Historic Gaudí House Draws Nearly 100K People Skip to content Sofia Crespo, "Structures of Being" (2024), projection mapping at Casa Batlló (photo by Claudia Maurino, courtesy Casa Batlló) BARCELONA — Architect-designer Antoni Gaudí, legend of Catalan Modernisme, is often quoted as having said, “Nothing is invented, for it’s written in nature first.” Whether or not that’s apocryphal, his legacy suggested something holier than human at work...
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Q&A: AO Show Creative Director Tuan Le Had a Vision for Performance Art in Vietnam (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 Some may say that modern performance art in Vietnam looks the way it does thanks to the works of Tuan Le and his colleagues...