Untitled (Perfect Lovers + 1)
2008 - Sculpture (Sculpture)
Set of 3 pieces: 23.81 x 76.52 x 4.13 cm
Cerith Wyn Evans
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other. Gonzales-Torres’ original work was a personal allusion to his own partner’s increasingly debilitating HIV-related illness, which grapples with the existential tension of coexistence in the face of death. Cerith Wyn Evans’s piece takes the same concept, and adds a third clock, moving from the intimacy of a monogamous relationship to suggest a more expansive, or possibly polyamorous alternative. Untitled (Perfect Lovers + 1) transforms the tension in Gonzales-Torres’s work into something more ambiguous and unsteady. The three clocks turn outward to force the viewer’s implication into both Evans’s work, as well as its reference to Gonzales-Torres.
Welsh conceptual artist, sculptor, and filmmaker Cerith Wyn Evans’s work often deals with perception and systems of signification, seeking to rupture extant forms in favor of new, more imaginatively productive models. This can occur through textual interventions, the dismantling of space or temporality, and poly-vocal assemblages that seek multiplicity, opening outwards rather than closing into a singular understanding. His work revels in the unfixed nature of meanings and ideas, finding fluid potentialities and powerful metaphors for its audience to ponder.
Colors:
Related works featuring themes of: » Color Photography, » Contemporary Conceptualism, » Film/Video, » Installation Art, » British
© » KADIST
Mauricio Ancalmo
2010War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
© » KADIST
Doug Aitken
2009The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
© » KADIST
Runo Lagomarsino
2020Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...
© » KADIST
Zarouhie Abdalian
2010The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
© » KADIST
Lynn Hershman Leeson
2016Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
© » KADIST
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
© » KADIST
Julieta Aranda
2016The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
© » KADIST
Rodney Graham
1996Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
© » KADIST
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
© » KADIST
Lynn Hershman Leeson
2017Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
© » KADIST
Yoshua Okón
2015Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
© » KADIST
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
© » KADIST
Hiraki Sawa
2006Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
© » KADIST
Rodney Graham
1991Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
© » KADIST
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...