Untitled (Painting of a Man Leaving in Boat)

Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

November 3 – December 20, 2023...

Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...

Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...

Lu has developed an oeuvre that consists of characters in bizarre situations...

Reeder’s works often start with language—and his Pasta Paintings are no different...

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...