Untitled (Painting of a Man Leaving in Boat)

2010 - Painting (Painting)

Chris Johanson

location: Los Angeles, California
year born: 1968
gender: male
nationality: American
home town: San Jose, California

Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky. An orange-haired figure, oar positioned in mid-stroke, looks ahead—whether toward an edge or an infinite expanse, it is impossible to tell. Echoing a trope that recurs in Greek epic poetry, transcendental painting, and current-day reality television, the character is alone with nature. We witness—and likely empathize with—his voyage.


The prolific Chris Johanson produces paintings, zines, installations, and sculptures that are notable for their earnest, almost childlike abstraction. His work delves unabashedly into the emotional, social, and spiritual aspects of human nature, tracking points of commonality and difference using simple shapes and lines as well as an unflagging sense of magnanimous humor.


Colors:



Other related works, blended automatically

Apartment on Cardboard
© » KADIST

Chris Johanson

2000

Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...

Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

2008

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

2010

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

Iron Sorrows
© » KADIST

Alexis Smith

1990

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...

Safely Maneuvering Across Lin He Road
© » KADIST

Lin Yilin

1995

For his action, Safely Maneuvering across Lin He Road , Lin built a brick wall on one side of a busy main street in the city of Guangzhou...

Untitled (Colors) and Untitled (Ghost)
© » KADIST

Alicia McCarthy

2010

A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...

Untitled (Butterfly)
© » KADIST

Mark Grotjahn

2002

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Untitled (Ruby Downing sitting between two Unidentified Men in a Room), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Destilaciones
© » KADIST

Ximena Garrido Lecca

2014

Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...

Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D.F., Third Gallery
© » KADIST

Tina Modotti

1927

Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

2006

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Domes, #1
© » KADIST

Judy Chicago

1969

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...

Untitled (Joseph T. Robinson Standing at a Podium in a Room), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

Stowe
© » KADIST

James Welling

2006

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

Untitled (Miller House, #02)
© » KADIST

Luisa Lambri

2002

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...