Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky. An orange-haired figure, oar positioned in mid-stroke, looks ahead—whether toward an edge or an infinite expanse, it is impossible to tell. Echoing a trope that recurs in Greek epic poetry, transcendental painting, and current-day reality television, the character is alone with nature. We witness—and likely empathize with—his voyage.
The prolific Chris Johanson produces paintings, zines, installations, and sculptures that are notable for their earnest, almost childlike abstraction. His work delves unabashedly into the emotional, social, and spiritual aspects of human nature, tracking points of commonality and difference using simple shapes and lines as well as an unflagging sense of magnanimous humor.
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Reeder’s works often start with language—and his Pasta Paintings are no different...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
This work presents the image of an immolated monk engraved on a baseball bat...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...