Reeder’s works often start with language—and his Pasta Paintings are no different. After the phrase for the title came through his head, the artist set about trying to figure out how to make a mark with pasta. These paintings are the result, made using the pasta as something of a stencil, with the paint being applied after the noodles have been scattered on the painting’s blank surface. The serene, patterned surfaces that this process creates are at odds, somewhat, with the simplicity and the absurdity of their making.
Detroit-based artist Scott Reeder threads his multimedia works through with humor and a dry sense of irony. His output ranges widely, and includes sculpture, painting, and curatorial projects among other things. No matter his medium, there is always a certain acerbic wit to Reeder’s work—a wit that can be both blithe and slightly confrontational. It’s a sense of humor that, as an artist, he traces back to the visual puns of Duchamp, or to the simple, deadpan forms of John McCracken and Blinky Palermo. For Reeder, the punch line is often the practice of making art itself; he mines the absurdity of the artist’s life for works that speak both comically and poignantly, at times, to the creative process.
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...