Reeder’s works often start with language—and his Pasta Paintings are no different. After the phrase for the title came through his head, the artist set about trying to figure out how to make a mark with pasta. These paintings are the result, made using the pasta as something of a stencil, with the paint being applied after the noodles have been scattered on the painting’s blank surface. The serene, patterned surfaces that this process creates are at odds, somewhat, with the simplicity and the absurdity of their making.
Detroit-based artist Scott Reeder threads his multimedia works through with humor and a dry sense of irony. His output ranges widely, and includes sculpture, painting, and curatorial projects among other things. No matter his medium, there is always a certain acerbic wit to Reeder’s work—a wit that can be both blithe and slightly confrontational. It’s a sense of humor that, as an artist, he traces back to the visual puns of Duchamp, or to the simple, deadpan forms of John McCracken and Blinky Palermo. For Reeder, the punch line is often the practice of making art itself; he mines the absurdity of the artist’s life for works that speak both comically and poignantly, at times, to the creative process.
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...