As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment. Caught in this perpetual sort of unresolved action, Mauss’ works revel in ambiguity and indeterminacy.
There is a frenetic energy to the work of American artist Nick Mauss, whose drawings, sculptures, performances, and installations often exceed their own boundaries. Combining abstract mark-making, figuration, and the erasure of both, Mauss’s drawings seem to move beyond themselves to interrogate the limits and divisions of real versus illustrated space. At times this outward movement is rather literal—a work placed inside a gallery doorway may replicate the space it occupies through wavering lines and bright colors, or it may take shape as a meandering line cutting through the gallery’s open spaces. Mauss’s works often look unfinished, his drawings ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment. Caught in this perpetual sort of unresolved action, his works revel in ambiguity and indeterminacy.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
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Music – a propaganda promoting the Khmer Rouge socialist identity (via the Phnom Penh Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 21, 2019 Shortly after their rise to power in April 1975, the Khmer Rouge sought to change the social identity of the Khmer people...
Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Peter Doig — Reflets du siècle Exhibition Painting Peter Doig,Two Trees, 2017 (Détail) The Metropolitan Museum of Art, New York © Peter Doig...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity...
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
SMU Series: More Than Just Managers, Enabling the Arts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo by Ian Schneider on Unsplash October 4, 2018 This article is the third in a series of essays by students from the Singapore Management University Arts and Culture Management programme...
Things Entangling Edited by Che Kyongfa and Elodie Royer Designed by Toshimasa Kimura Published by Museum of Contemporary Art Tokyo (MOT) and KADIST The publication is available in pdf — see links on the right side of this page Things Entangling was published on the occasion of the eponymous collective exhibition presented at MOT, Tokyo from June 9 to September 27, 2020, the culmination of a long-term curatorial collaboration between MOT and KADIST...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Peter Doig — Reflets du siècle — Musée d’Orsay — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Peter Doig — Reflets du siècle — Musée d’Orsay — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Peter Doig — Reflets du siècle Exposition Peinture Peter Doig,Two Trees, 2017 (Détail) The Metropolitan Museum of Art, New York © Peter Doig...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...