As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment. Caught in this perpetual sort of unresolved action, Mauss’ works revel in ambiguity and indeterminacy.
There is a frenetic energy to the work of American artist Nick Mauss, whose drawings, sculptures, performances, and installations often exceed their own boundaries. Combining abstract mark-making, figuration, and the erasure of both, Mauss’s drawings seem to move beyond themselves to interrogate the limits and divisions of real versus illustrated space. At times this outward movement is rather literal—a work placed inside a gallery doorway may replicate the space it occupies through wavering lines and bright colors, or it may take shape as a meandering line cutting through the gallery’s open spaces. Mauss’s works often look unfinished, his drawings ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment. Caught in this perpetual sort of unresolved action, his works revel in ambiguity and indeterminacy.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
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Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
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Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...