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“Untitled” was filmed in Bodh Gaya, India during a residency in 2011. There, he came across a scene that appealed to his interest in the political and social aspects of modernity. He filmed a policeman who, seemingly, is controlling traffic. Yet, when closely observed, the policeman is powerless to the overwhelming flow of vehicles and people. The policeman swings his arms and gestures as a show of control, but is unable to influence any change. The flow of traffic is random and chaotic; his perch in the middle of the road positions him on an island in a sea of humanity. This video is of the extinction of a job once important to the day-to-day of the urban environment. The man, convincing himself through his gestures that his work is of use reminds the viewer of the inconsequence’s of individuality in the face of unleashed modernity. The work is a metaphor for the life of an individual. Life passes by and we mostly leave no trace of the individual. In the tradition of absurdism central to French culture in the 1940s and 1950s, “Untitled” is a witty, poignant and thoughtful interrogation of contemporary life.
Mohammed Kazem (b. Dubai, 1969) has developed an artistic practice, encompassing video, photography and performance as a method for apprehending his varying environments and experiences. The underpinning for Kazem’s artwork is informed by his training as a musician. Exploring light and sound in tangible terms, Kazem is interested in developing processes that render transient phenomena’s. In an attempt to trace the rapid pace of modernization in the Emirates since its founding, Kazem responds to geographical location and the materiality of urban existence through positioning himself within his work as a means to assert his subjectivity. Kazem’s oeuvre is divided into two fundamental aspects, the political and the social. While his work does not follow a strict methodology of representation, Kazem’s continued assessment and assemblement of chance patterns and happenings creates meaning in the maelstrom of modernity.
Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...
Deep In The Balinese Jungle, TianTaru Preserves The Lost Art Of Indigo Dyeing - IGNANT Name TianTaru Words Anna Dorothea Ker Prized since ancient times for its alluring hue and medicinal properties, indigo holds an illustrious history of textile coloration and enhancement across Asian, Africa and South America—from Tutankhamen’s burial linens to the garments Samurai wore under their armor...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
Why everyone is dancing during the pandemic: The Wandering at SIFA 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 3, 2020 ArtsEquator speaks to Andy Chia, Natalie Alexandra, Rizman Putra, Russell Morton and Yeo Siew Hua, the creatives behind The Wandering , a dance film about loss connections and a family in crisis, about what it’s like working on the film together, especially during a pandemic...
5 Art Restoration Fails That Will Blow Your Mind | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Charles Lee at SF Camerawork: Black Cowboys and Their Horses | KQED Skip to Nav Skip to Main Skip to Footer The Do List SF Camerawork Show Honors the Relationship Between Black Cowboys and Their Horses Nia Coats Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link An installation view of Charles Lee's show 'sweat + dirt' at SF Camerawork...
Adjamé, Charbon reflects on both global environmental discourses and domestic impacts of the use and trade of coal...
Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence...