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“Untitled” was filmed in Bodh Gaya, India during a residency in 2011. There, he came across a scene that appealed to his interest in the political and social aspects of modernity. He filmed a policeman who, seemingly, is controlling traffic. Yet, when closely observed, the policeman is powerless to the overwhelming flow of vehicles and people. The policeman swings his arms and gestures as a show of control, but is unable to influence any change. The flow of traffic is random and chaotic; his perch in the middle of the road positions him on an island in a sea of humanity. This video is of the extinction of a job once important to the day-to-day of the urban environment. The man, convincing himself through his gestures that his work is of use reminds the viewer of the inconsequence’s of individuality in the face of unleashed modernity. The work is a metaphor for the life of an individual. Life passes by and we mostly leave no trace of the individual. In the tradition of absurdism central to French culture in the 1940s and 1950s, “Untitled” is a witty, poignant and thoughtful interrogation of contemporary life.
Mohammed Kazem (b. Dubai, 1969) has developed an artistic practice, encompassing video, photography and performance as a method for apprehending his varying environments and experiences. The underpinning for Kazem’s artwork is informed by his training as a musician. Exploring light and sound in tangible terms, Kazem is interested in developing processes that render transient phenomena’s. In an attempt to trace the rapid pace of modernization in the Emirates since its founding, Kazem responds to geographical location and the materiality of urban existence through positioning himself within his work as a means to assert his subjectivity. Kazem’s oeuvre is divided into two fundamental aspects, the political and the social. While his work does not follow a strict methodology of representation, Kazem’s continued assessment and assemblement of chance patterns and happenings creates meaning in the maelstrom of modernity.
Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...
Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Expo Chicago reveals more than 170 exhibitors for first edition since acquisition by Frieze Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Expo Chicago reveals more than 170 exhibitors for first edition since acquisition by Frieze The long-running Midwestern fair was acquired by the London-based fair company in summer 2023 Benjamin Sutton 2 February 2024 Share Expo Chicago Photo by Justin Barbin Expo Chicago , one of the most significant US art fairs, is preparing for eleventh edition and first since it was acquired in the summer of 2023 by London-based expo and media company Frieze...
Austrian singer collaborates with ‘angklung’ musicians at Indonesian Cultural Night in Vienna (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 10, 2018 Angklung musicians featuring Austrian soprano Maria Theresia Gruber staged the song Bengawan Solo at the Indonesian Cultural Night event held at Vienna’s Weltmuseum on Tuesday evening...
Adjamé, Charbon reflects on both global environmental discourses and domestic impacts of the use and trade of coal...
Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence...
A Remote Viewing workshop with artists Myriam Lefkowitz and Simon Ripoll-Hurier 11:00am to 1:30pm or 2:30pm to 5:00pm In the heart of Silicon Valley in the 1970s, and under the aegis of the CIA, a group of scientists and psychics developed a technique intended to channel extra-sensory perceptions in an effort to produce descriptions of distant targets...