160 x 35 x 60 cm
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition. With her series Laptop Men she presents a humorous reading of the way we interact with computers, and the growing tendency to perceive them as part of our bodies. This takes place against a backdrop of an increasing dependence on implants and prostheses among the human species. We instantly recognize ourselves in the standing or lying steel sculptures resembling thin stickmen, these Laptop Men are perhaps in the process of checking their Facebook account or streaming their favorite series. According to Hopf, these figures were developed with a nod to Modernist sculptures, all while studying the gestures attached to laptops or iPads observed in transit zones such as airports, or other spaces where people have to wait. We try to overcome time with laptops, developing a particular body language in public where the laptop becomes part of the body. The work avoids being too moralistic about a particular idea, attempting instead to deal with the animation of abstract form, feeding it back through a body where electronic tools are already integrated in it.
In her sculptures, installations and videos, German artist Judith Hopf transforms everyday settings and humble materials into comic expressions of humanist values, verging on the absurd. With an understated concision characteristic of her practice, the artist herself describes her working method as an attempt to do something “that doesn’t put me in a bad mood.” Claude Lévi-Strauss’s concept of bricolage resonates not only with Hopf’s formal approach but also in conceptual terms, in the way her works are open to new connections based on their changing context. Resonating with and embodying all the things experienced in a society of overstretching, burnout and chronic exhaustion, Hopf creates sculptures, furniture and absurdist films. She uses humor and wit to address the politics of art making, group dynamics, and the impact of technology on perception and human experience.
Galleries informed that art fair Art Stage Singapore cancelled (via The Straits Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar January 16, 2019 SINGAPORE – At least five galleries slated to participate in Art Stage Singapore say the art fair has been cancelled by organisers...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Yannig Hedel — At First Glance — De Prime Abord Exhibition Photography Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Ends in 27 days: January 25 → March 9, 2024 After “Quarter Past Twelve” in 2018, and “Passé Composé” in 2021, we are particularly pleased to present the exhibition “At First Glance”, the third solo show by Yannig Hedel at the gallery...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
Pavel Aguilar, Carlos Amorales, Jonathas de Andrade, Pavel Aguilar, Edgardo Aragón, Fredi Casco, Rometti Costales, Sam Durant, León Ferrari, Joscelyn Gardner, Beatríz González, Pierre Huyghe, Guillermo Kuitca, Cristóbal Lehyt, Jesse Lerner, Alfredo López Morales, Teresa Margolles, Noé Martínez, Cildo Meireles, Eustaquio Neves, Nohemí Pérez, Naufus Ramírez Figueroa, Antonio Reynoso, Pablo Swezey and Carla Zaccagnini...
BIPAM 2021: Delight, despair, dialogue and the despot | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 17, 2021 By Nabilah Said (1,800 words, 6-minute read) I’ve never actually attended the Bangkok International Performing Arts Meeting (BIPAM)...
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Final works and a Pokemon mashup: New van Gogh exhibitions - arts24 Skip to main content Final works and a Pokemon mashup: New van Gogh exhibitions Issued on: 06/10/2023 - 16:58 11:53 arts24 © FRANCE 24 screengrab By: Marion CHAVAL | Aline BOTTIN | Magali FAURE | Alison SARGENT In this roundup of cultural news, we kick off with the winner of this year's Nobel Prize in Literature: Norwegian author and playwright Jon Fosse...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Like many Asian countries, Vietnam has lost an immense amount of natural environment and rural landscape to economic growth and industrial development...
Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Natasha Harth for QAGOMA untitled (giran) (2018), Jonathan Jones in collaboration with Dr Uncle Stan Grant Snr AM January 10, 2019 By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019...
Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...