16 min
“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life. In the film, we witness the drama of a blended family, heightened by adultery and finally murder. For the film’s decor, Cytter, instead of filming a domestic interior, uses a theater stage, a place of representation by excellence. Dialogues, accessories and camera movements disrupt the boundary between the stage and the “behind the scenes” acts which are in fact staged. While its difficult to distinguish the stage’s front and back, also it is difficult to determine the improvised and real. Like her other films, reality is constructed and artificial, but the theatrical element complicates our relationship to her characters. Are the actors in a scene or subjects of their own life? In “Untitled,” the artist merges theatricality on stage and in life finally offering a permanent performance.
Keren Cytter makes films who appropriate and transform different registers, from film noir, melodrama, documentary and television series. Although visually close to amateur filmmaking, the film’s dialogues adopt complex structures of multiple degrees as well as non-linear narratives. Keren Cytter is interested in human behavior and modes of communication. Often shot in modest interiors, her films depict dysfunctional families and friendships on the verge of breakdown. In the words of her former teacher, Marlene Dumas, when commenting on Cytter’s dark humor,”it is not a funny hahaha humor, nor a sour humor. It is humor as an insult. It comes from a cruelty, a keen intelligence mixed with extreme emotional vulnerability and an acute awareness of one’s own stupidity and inability to understand one another. “ Keren Cytter was born in 1977 in Tel Aviv. She lives and works in Berlin.
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Namasenda talks fashion fails, fashion grails and how much she loves to lie | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Q+A The Stockholm-based musician behind bangers like ‘No Regrets’ and ‘deathrow bby’ also reveals her sci-fi influences, her dream girl group line-up, and which Spice Girls track she’d love to cover 12 December 2023 Text Emma Elizabeth Davidson Namasenda Gig Style by Michele Baron 29 Namasenda is a self-confessed liar...
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...
ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
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Screening at 7pm at The Roxie In connection to his exhibition, Evidence of Things Not Seen at KADIST , photo-conceptual artist, Hank Willis Thomas selected these films as a homage to innovative and influential creators in the medium of film whose work supports social justice as well as explores contemporary notions of identity, race, history and a national legacy of resistance...
In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Curator Magalí Arriola picks out some highlights from the fair's large-scale presentation Elena Goukassian 9 December 2023 Share Lee Mullican, Entrance of the Entertainers (1984-85) Liliana Mora Although this year’s Meridians section at Art Basel in Miami Beach lacks an official theme, many of its large-scale works reference some sort of metaphorical largeness—whether global connectivity, the environment or the universal language of music...
In keeping with her mythological proclivity, Minotaur (2009) casts a new light on an old narrative...
Weekly Picks: Indonesia (18 - 24 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 18, 2019 Top Picks of Indonesia art events in Bali, Bandung and Jakarta from 18-24 February 2019 To celebrate the TiTian Art Space’s 3rd Anniversary, the art space and organization presents EXPLORATION , a group exhibition that serves also as an initiative to encourage artists to break boundaries...
Wanderlust West: The Biographer and the Burglar Live documentary performance and exhibition by Martha Colburn With live dobro accompaniment by Thad Povey Wednesday, July 25, Bar 6pm, Event 7pm With related works on view through August 11 In this “live documentary” performance at KADIST, Colburn expands on Western Wild…how I found wanderlust and met Old Shatterhand (2017), a densely textured, mixed genre film about an American artist constructing a new work about famed German author Karl May...
Karla Dickens’s collage Beneath the skim board addresses issues of discrimination and racism towards Indigenous communities in Australia through a constellation of historical and current events...
Podcast 95: Three Sisters and _T0701_ at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited / Nine Years Theatre and The Pond Photography August 19, 2021 In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Three Sisters by Nine Years Theatre and _T0701_ by Zeugma, which were both part of SIFA 2021...