Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.
Born in Berkeley and educated at California College of the Arts, John McCracken was a pioneer of American Minimalism and is often associated with the Light and Space movement. His plank pieces—high-gloss, lacquered, monochromatic monoliths that lean against the wall—defy the boundary between painting and sculpture, object and viewer. Their bases rest in the observer’s space, and their varnished surfaces reflect the surrounding environment. Though best known for his bright colors and polished aesthetic, McCracken’s body of work is diverse, ranging from minimalist sculpture to abstract painting. The work is consistently characterized by a search for simplicity, beauty, and the sublime.
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Naufus Ramírez-Figueroa’s performance Illusion of Matter establishes a dream state through a composition of motifs that were drawn from the artist’s childhood memories...
The Seen and Unseen: A Search For Self | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Claudia Dian February 25, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...