Untitled

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...

Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey...

Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...

Naufus Ramírez-Figueroa’s performance Illusion of Matter establishes a dream state through a composition of motifs that were drawn from the artist’s childhood memories...

Review: ‘A Love Supreme’ at Elmhurst Art Museum | Observer Norman Teague...

We truly believe that art is for everyone: Kiran Nadar | Mint Lounge advertisement | Logout Log in/Register Home News Big Story Opinion Talking Point Food Cook Drink Discover Fashion Trends Shop Beauty How To Lounge Movies & Tv Art & Culture Books Smart Living Environment Innovation Health Wellness Fitness Relationships Raising Parents It's Complicated Pets Brand Stories Bookmarks Photos Videos Big Story Opinion Talking Point Latest Issue About Us Privacy Policy Terms And Conditions new-article 111628248444886 https://lifestyle.livemint.com story https://lifestyle.livemint.com How To Lounge /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html https://images.livemint.com/img/2021/08/06/68x68/Kiran_Nadar_Revised_1628248685275_1628248709909.jpg Home News Food Fashion How To Lounge Smart Living Health Relationships PHOTOS VIDEOS QUICK READS Home > How To Lounge > Art & Culture > We truly believe that art is for everyone: Kiran Nadar We truly believe that art is for everyone: Kiran Nadar As Kiran Nadar Museum of Art enters its second decade, its founder reflects on the journey so far and plans to open yet another museum in Delhi /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html 111628248444886 story Kiran Nadar, the founder of KNMA...

FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed The Global South Conflicting Narratives and the Invention of Geographies Fernando Resende Global Art Forum 8 1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans Ibraaz The North of the South and the West of the East A Provocation to the Question Walter D...

Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...

Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...

The case stemmed from a 1973 dispute over claims to the works in the collection....

Liu Yin brings the tension of a small but imminent catastrophe into the gallery with a raw egg balanced on the edge of a folding table....

The Italian collector in a cavernous space with a dark exhibition about fear....

Perspective was filmed during a residence in northern Poland...