Untitled (Jesse)

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language. The images in the ZZYZX series begin in the desert east of Los Angeles and drift west, through the city, and finally end at the Pacific ocean. This general westward movement is a pilgrimage toward the ocean, and alludes to the manifest expansion of America from east to west. The people, places, and animals in the series did appear before Halpern’s camera, but he has selected and organized the images into a work of fiction or fantasy, with assistance from artist Jason Fulford on the sequence. The work brings together seemingly disparate images of environmental crisis, kinship, entertainment, urbanity, and stunning vistas. There is a strange narrative harmony to the series—the sublime, the psychedelic, and the self-destructive. Southern California is unpredictable, wild. Cultures and histories coexist, the beautiful sits next to the ugly, the redemptive next to the despairing, and all under the golden state’s radiant light, as transcendent as it is brutal.

Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering. Combined with a curiosity about the elusive qualities of Americanness, he makes images that mix documentary and fiction. He has been celebrated for his pioneering photobooks, which involve rich colors, thoughtful sequencing, and evocative associations between images as a form of storytelling.

Colors:

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Untitled (Fire)

Gregory Halpern

2016

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World Trade Center Developer Launches Artist Residency Program - via ARTFORUM

Silver Art Projects—a new artist residency program established by Silverstein Properties, the real estate development firm that was instrumental in the rebuilding of much of the World Trade Center site following the terrorist attacks of September 11, 2001—is looking to bring more artists to Lower Manhattan...

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SF Art Book Pop-up

Saturday, January 24, 2-7pm On the occassion of the upcoming LA Art book fair , nine Bay Area booksellers, artists, and independent publishers will convene for one day at Kadist to showcase their latest art books, catalogs, periodicals, and zines...

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sommaire du n°515 – novembre 2023

sommaire du n°515 - novembre 2023 - artpress X 23 octobre 2023 Dans AP Print , artpress , artpress mensuel , sommaires sommaire du n°515 – novembre 2023 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour novembre par ici ! Édito 5 Faire histoire Making History Étienne Hatt INTRODUCING 6 Frederik Exner Laurent Quénéhen Chroniques / Columns 11 Dépression verte Green Depression Paul Ardenne 15 L’image en creux Implicit Image Étienne Hatt 19 Gilles Aillaud, animal peinture Gilles Aillaud, Animal Painting Anne Bertrand Point de vue / Opinion 22 Picasso, où est le problème ? Picasso, What’s the Problem ? Frédérique Joseph-Lowery ACTUALITÉS / SPOTLIGHTS 26 Les 10 ans de la Bourse Révélations 10 Years of the Révélations Emerige Grant Interview de Gaël Charbau par Étienne Hatt 30 Les Douches la Galerie, concentré de photographie Les Douches la Galerie, a Photographic Concentrate Aurélie Cavanna DOSSIERS 34 GRANDE INTERVIEW Dana Schutz, une peinture métaphorique Dana Schutz, A Metaphorical Painting Interview par Eleanor Heartney 42 MATÉRIALITÉS PHOTOGRAPHIQUES PHOTOGRAPHIC MATERIALITIES 44 L’image entre présence et absence Images between Presence and Absence Interview d’Héloïse Conésa par Étienne Hatt 49 Regard transatlantique, d’hier à aujourd’hui A Transatlantic Perspective, Then and Now Marie Auger 54 Gilles Aillaud en héritage The Legacy of Gilles Aillaud Annabelle Gugnon 62 ROTHKO VU D’EUROPE ROTHKO SEEN FROM EUROPE 64 Mark Rothko, Psaume Mark Rothko, Psalm Philippe Sollers 66 Rothko-Hartung, affinités électives Rothko-Hartung, Elective Affinities Interview de Thomas Schlesser par Julie Chaizemartin 71 expositions / reviews Triennale Art & Industrie Bernard Moninot Fashion folklore Baptiste Roux Corps à corps Un-Tuning Together Jonathan Meese Sasha Ferré Armelle de Sainte Marie Un pli du bord du monde 82 agenda 85 livres Yuk Hui, reconstruire une pensée de la technique Pascal Quignard, heures heureuses, où êtes-vous ? Clément Ghys, la contreculture est une bombe à retardement Sarah Chiche, l’œuvre au bleu (de Prusse) Enrique Vila-Matas, la biographie d’un style Stefano D’Arrigo, mythologie de la langue Liliane Giraudon, traversée par l’écriture Jean-Luc Giribone, la sagesse dans une âme et un corps Antoinette Deshoulières, liberté baroque 96 Comptes rendus 98 Le feuilleton de Jacques Henric Albert Ayler À venir, artpress n°516, décembre 2023 Interview Jérôme Zonder Les 50 ans de la galerie Baronian Les formes de la ruine au musée des beaux-arts de Lyon Victor Burgin au Jeu de Paume et au CPIF… Couv...