For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms. This technical rework allows for a clinical inspection of the material contents of the piece and the resulting slanted industrial monolith echoes minimalist sculpture, although with a different expressive texture. Indeed, Untitled can be seen as a contemporary pyramid with a painterly surface. Its transparency reveals that the base and the top have been created out of a single cast piece cleanly bisected into two fragments which were subsequently placed—as if in a mirror—so that both sides of the split are visible.
Jedediah Caesar is more interested in the materials and the process of making a work than in the actual final aesthetic product. Most of the time he begins with a collection of found objects, which he encases in resin, often using cardboard boxes as a molds. The resulting casts are then cut into blocks, flat slices and other shapes—cross-sections of the original objects that nullify their original function and form and transform them into a new kind of material. While the resulting geometric sculptures and the industrial process involved in making them may recall minimalist practices from the 1960s, Caesar’s “metaphorical rebirth” of the materials also gives them a strong, expressive abstract character.
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
New York governor seeks removal of problematic images of Native Americans Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news New York governor seeks removal of problematic images of Native Americans Kathy Hochul has proposed removing certain imagery from the state capitol in Albany Gareth Harris 9 February 2024 Share Kathy Hochul, the governor of New York Mark Getman Kathy Hochul, the governor of New York, has proposed removing depictions of Native Americans from New York’s State Capitol building in Albany...
This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...