15 3/4 x 15 3/4 in.
In his practice, Pio Abad looks into the social and political significance of objects usually consigned to the sidelines of history. Abad uses different media such as textile, drawing, installation, and photography, and employs strategies of appropriation to extract alternative readings and repressed historical events. Abad ties threads of complicity between events, ideologies and people. His artworks glide seamlessly between these histories, enacting quasi-fictional combinations with their leftovers and weaving together threads of complicity between events, ideologies, and people. Abad was artist-in-residence at KADIST San Francisco from April to June 2019, where he conducted research into narratives of exile and displacement from the 1970s and 80s that brought Filipinos to California.
Quiz: How well do you know Southeast Asian films? | ArtsEquator Skip to content While the works of Steven Spielberg, Wong Kar-wai and Bong Joon-ho have left a mark on the world, we should not forget our homeground talents, from the late Malaysian director Yasmin Ahmad, to Indonesian actor Iko Uwais, and father of Philippines cinema, José Nepomuceno...
Gilded Lilies - Photographs by Tine Poppe | Interview by Sophie Wright | LensCulture Feature Gilded Lilies Norwegian photographer Tine Poppe’s portraits of cut flowers, shot against landscapes ravaged by climate change, propose a new take on the still life—one fit for the uncertain times we are living in...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
The Wildest Art Stories of 2023 Skip to content A Florida principal was forced to resign for showing sixth-grade students an image of Michelangelo’s “David” (1501–1504) after parents complained that the Italian Renaissance sculpture was “pornographic.” (edit Valentina Di Liscia/ Hyperallergic ) Centuries ago, in 2022, the FBI raided the Orlando Museum of Art and hauled away 25 fake Basquiats that had been on public display as the real deal for five months...
Harrowing and sublime: Topography of Breath 2.0 by Pat Toh | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pat Toh November 10, 2020 By Chan Sze-Wei (739 words, 4-minute read) In grainy close up, we see segmented views of one woman, fighting to breathe with every fibre of her sinewy body...
Vishal Jugdeo, VQUEERAM / EPISODES Screening and presentation, followed by a discussion with artist and scholar, Tina Takemoto The experimental documentary video portrait VQUEERAM (2016–ongoing) is part of a collaborative project initiated by Los Angeles-based artist Vishal Jugdeo with Vikram “Vqueeram” Aditya Sahai, a poet, activist, and teacher based in New Delhi, India...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...