15 3/4 x 15 3/4 in.
In his practice, Pio Abad looks into the social and political significance of objects usually consigned to the sidelines of history. Abad uses different media such as textile, drawing, installation, and photography, and employs strategies of appropriation to extract alternative readings and repressed historical events. Abad ties threads of complicity between events, ideologies and people. His artworks glide seamlessly between these histories, enacting quasi-fictional combinations with their leftovers and weaving together threads of complicity between events, ideologies, and people. Abad was artist-in-residence at KADIST San Francisco from April to June 2019, where he conducted research into narratives of exile and displacement from the 1970s and 80s that brought Filipinos to California.
Quiz: How well do you know Southeast Asian films? | ArtsEquator Skip to content While the works of Steven Spielberg, Wong Kar-wai and Bong Joon-ho have left a mark on the world, we should not forget our homeground talents, from the late Malaysian director Yasmin Ahmad, to Indonesian actor Iko Uwais, and father of Philippines cinema, José Nepomuceno...
Michael Stipe on His Collection Exhibition at the Outsider Art Fair – ARTnews.com Skip to main content By Andy Battaglia Plus Icon Andy Battaglia Deputy Editor, ARTnews View All March 2, 2022 11:49am View Gallery 10 Images When Michael Stipe first started engaging with outsider art, he was a young buck learning the curious folkways of Athens, Georgia, while on the cusp of fronting the storied rock band R...
ArtsEquator's Hot List: January 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 6, 2021 Every first Wednesday of the month, ArtsEquator will release a list of recommended shows/events/programmes that our readers can look out for in that month...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
Harrowing and sublime: Topography of Breath 2.0 by Pat Toh | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pat Toh November 10, 2020 By Chan Sze-Wei (739 words, 4-minute read) In grainy close up, we see segmented views of one woman, fighting to breathe with every fibre of her sinewy body...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
The Wildest Art Stories of 2023 Skip to content A Florida principal was forced to resign for showing sixth-grade students an image of Michelangelo’s “David” (1501–1504) after parents complained that the Italian Renaissance sculpture was “pornographic.” (edit Valentina Di Liscia/ Hyperallergic ) Centuries ago, in 2022, the FBI raided the Orlando Museum of Art and hauled away 25 fake Basquiats that had been on public display as the real deal for five months...
JAKE! @ Betty Cuningham Gallery | Painters' Table Skip to main content JAKE! @ Betty Cuningham Gallery https://johnmitchellworld.wordpress.com/2020/02/19/jake/ Jake Berthot, Chapel Trail Near Alter Road, 2000, oil on panel, 26 3/8 x 26 1/8 inches (courtesy of Betty Cuningham Gallery) John Mitchell visits the exhibition JAKE! at Betty Cuningham Gallery, New York, on view through February 23, 2020...