Untitled (Inventory)
2013 - Drawing & Print (Drawing & Print)
15 3/4 x 15 3/4 in.
Pio Abad
In his practice, Pio Abad looks into the social and political significance of objects usually consigned to the sidelines of history. Abad uses different media such as textile, drawing, installation, and photography, and employs strategies of appropriation to extract alternative readings and repressed historical events. Abad ties threads of complicity between events, ideologies and people. His artworks glide seamlessly between these histories, enacting quasi-fictional combinations with their leftovers and weaving together threads of complicity between events, ideologies, and people. Abad was artist-in-residence at KADIST San Francisco from April to June 2019, where he conducted research into narratives of exile and displacement from the 1970s and 80s that brought Filipinos to California.
Colors:
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Pio Abad
2017Comprising two sculptures, one photograph and one video, the installation Malakas & Maganda (1986 – 2016) questions the mythological iconography of the Filipino conjugal dictators Ferdinand and Imelda Marcos and thus addresses the construction of propaganda representation and the role of art facing current events...
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Quiz: How well do you know Southeast Asian films? | ArtsEquator Skip to content While the works of Steven Spielberg, Wong Kar-wai and Bong Joon-ho have left a mark on the world, we should not forget our homeground talents, from the late Malaysian director Yasmin Ahmad, to Indonesian actor Iko Uwais, and father of Philippines cinema, José Nepomuceno...
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Leung Chi Wo and Wong Sara
2010Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
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Yuichiro Tamura
2017The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...
Other works by: » Pio Abad
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© » KADIST
Pio Abad
2017Comprising two sculptures, one photograph and one video, the installation Malakas & Maganda (1986 – 2016) questions the mythological iconography of the Filipino conjugal dictators Ferdinand and Imelda Marcos and thus addresses the construction of propaganda representation and the role of art facing current events...
