Untitled (Head Falling 02)
2015 - Film & Video (Film & Video)
Diego Marcon
The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep. The film is projected as a ten-second loop where the first and last frames coincide. Working mainly in video and film, Marcon is familiar with the consequences of eyestrain. In 2015 he found himself confronted with an overwhelming quantity of visual information which left him feeling drained and confused. He was inundated by both viral online videos of the Paris attacks and the refugee crisis, compounded by viewers’ emotional responses to these events on social media as well as by the sprawling video-art archive of Careof in Milan that he was working at. In order to disconnect from the constant stream of images, and to find a non-documentary approach to picture visual stress, Marcon turned to animation. Falling Head was the last piece in which the artist adopted the laborious, old-school technique of ‘direct cinema’, painting images frame by frame directly onto a16mm clear leader creating almost 2,000 miniatures. Using liquid fabric inks and black markers to form a base, he then scratched the colored surface with a needle to let the light pierce through. Through the protagonist of this film, a lonely teenager, trapped in doubt and indeterminacy, and who we find in other works of the same series, Marcon portraits a range of emotions that have become more and more prevalent since 2015: overwhelmed by images, struck by social media, and exhausted by impotence towards a political situation that is suspended between the tragic and the grotesque
Diego Marcon uses film, video and installation to investigate the ontology of the moving image, focusing on the relationship between reality and representation. This theoretical approach is used to address more popular forms of image such as horror, slapstick comedy and cartoons. Exaggerating and multiplying the tropes of these genres, his work takes on an uncanny dimension. He addresses historical realities, memory and politics, drawing on analogue film archives which provide him with a basis for a study on the construction of emotions. His characters are often young and melancholy and inhabit the worlds that he creates through the synthesis of old techniques with more recent digital technologies.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
"Asian Festivals Exchange" at M1 Contact Contemporary Dance Festival 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng K(-A-)O by Kenji Shinohe August 23, 2018 By Bernice Lee (1300 words, five-minute read) “Asian Festivals Exchange” puts together works selected from two East Asian festivals — Yokohama Dance Collection and Seoul Dance Collection — two works performed by T...
© » KADIST
Julian Abraham
2019In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
© » KADIST
Asociación de Mujeres Tejiendo sueños y Sabores de Paz de Mampuján, Pavel Aguilar, Carlos Amorales; Jonathas de Andrade, Edgardo Aragón, Fredi Casco, Miguel Covarrubias, Sam Durant, León Ferrari, Jocelyn Gardner, Beatriz González, Pierre Huyghe, Cristóbal Lehyt, Jesse Lerner, Teresa Margoles, Guillermo Kuitca, Jesse Lerner, Noé Martinez, Alfredo López Morales, Cildo Meireles, Eustaquio Neves, Nohemí Pérez, Naufus Ramírez Figueroa, Antonio Reynoso, Rometti Costales, Pablo Swezey, Carla Zaccagnini...
© » SOUTH CHINA MORNING POST
Year of the Dragon 2024: it’s not just Chinese who revere the mythical beasts – 4 other cultures that celebrate them | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from the Yellow Dragon robe worn by emperors of China’s Qing dynasty...
© » KADIST
Replying to DRASH’s invitation to take part in a DVD edition including various interviews of curators – broadcasted during the exhibition “Curating Degree Zero Archive” (June 16 – July 8, 2007 – Point Ephémère, Paris), Le Bureau / proposes the film of the exhibition 1972 , which will be shot at the Kadist Art Foundation in Paris...
© » ARTSY
Amanda Baldwin’s Bold, Surreal Landscapes Transform the Way We See Nature | Artsy Skip to Main Content Advertisement Art Amanda Baldwin’s Bold, Surreal Landscapes Transform the Way We See Nature Bella Bonner-Evans Nov 21, 2023 3:27PM Amanda Baldwin Sweeping The Sea , 2023 Public Gallery Sold A considerable shift occurred in Amanda Baldwin ’s practice three years ago...
© » KADIST
Geof Oppenheimer
2011Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
© » ART & OBJECT
The Louvre Raises Funds to Keep Chardin Painting in France | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Jorge de León
2015Jorge de León most well-known work was a radical gesture, and one of his earliest artworks: in his 2000 performance, The Circle, de León sewed his own mouth closed as a protest against the silencing of citizens in the face of social corruption...
© » KADIST
Julian Abraham
2019In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...