Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian. Sierra extracts and appropriates from this idea and evidence of modernism as a foreign paradigm exported through the printed media and reconstitutes a new form.
Colombian artist Gabriel Sierra’s work lies in the intersection between art and design. His earlier works took into account functional archetypes and space, leading him to name his sculptures as para-functional objects. These works embody his observations of different aspects of Colombian domestic environments and his interest in translating vernacular beliefs into conceptually sharp structures that speak to an international audience.
Malaysia halves Najib’s sentence, Hong Kong’s car-free village, China’s Picasso: 6 weekend reads you may have missed | South China Morning Post Advertisement Advertisement SCMP Highlights + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Malaysia’s former prime minister Najib Razak leaves a court in Kuala Lumpur in 2019...
Weekly Southeast Asia Radar: Goodbye gamelan maestro; Charlie Chan to get animated | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Stiftung Humboldt Forum im Berliner Schloss/David von Becker November 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence...
Tour Geoffrey Bawa’s Ena de Silva House in Sri Lanka | Wallpaper At Ena de Silva house, each brick, roof tile and pebblestone was numbered before being transported to the new location and reinstalled in their exact original position (Image credit: Teardrop Hotels) By Daven Wu published 11 February 2024 In 1960, when Ena de Silva and her husband Osmund were casting about for an architect to build their family home on a small plot they’d just bought in Colombo, Sri Lanka, her friend, the landscaper Bevis Bawa, suggested his younger brother, Geoffrey, who had just started practising...
A Remote Viewing workshop with artists Myriam Lefkowitz and Simon Ripoll-Hurier 11:00am to 1:30pm or 2:30pm to 5:00pm In the heart of Silicon Valley in the 1970s, and under the aegis of the CIA, a group of scientists and psychics developed a technique intended to channel extra-sensory perceptions in an effort to produce descriptions of distant targets...
Why everyone is dancing during the pandemic: The Wandering at SIFA 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 3, 2020 ArtsEquator speaks to Andy Chia, Natalie Alexandra, Rizman Putra, Russell Morton and Yeo Siew Hua, the creatives behind The Wandering , a dance film about loss connections and a family in crisis, about what it’s like working on the film together, especially during a pandemic...
Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
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