Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian. Sierra extracts and appropriates from this idea and evidence of modernism as a foreign paradigm exported through the printed media and reconstitutes a new form.
Colombian artist Gabriel Sierra’s work lies in the intersection between art and design. His earlier works took into account functional archetypes and space, leading him to name his sculptures as para-functional objects. These works embody his observations of different aspects of Colombian domestic environments and his interest in translating vernacular beliefs into conceptually sharp structures that speak to an international audience.
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...