Untitled
2010 - Sculpture (Sculpture)
Gabriel Sierra
Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian. Sierra extracts and appropriates from this idea and evidence of modernism as a foreign paradigm exported through the printed media and reconstitutes a new form.
Colombian artist Gabriel Sierra’s work lies in the intersection between art and design. His earlier works took into account functional archetypes and space, leading him to name his sculptures as para-functional objects. These works embody his observations of different aspects of Colombian domestic environments and his interest in translating vernacular beliefs into conceptually sharp structures that speak to an international audience.
Colors:
Related works featuring themes of: » Andes Region, » Appropriation Art, » Architecture, » Design
» see more
© » KADIST
Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
© » KADIST
Alessandro Balteo Yazbeck
2008Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
© » KADIST
Oscar Munoz
2009In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
© » KADIST
Will Rogan
2007Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Other related works, blended automatically
» see more
© » KADIST
Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
© » KADIST
Alessandro Balteo Yazbeck
2008Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
© » KADIST
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
© » KADIST
Carlos Amorales
2006This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Related works sharing similar palette
» see more
© » SOUTH CHINA MORNING POST
Malaysia halves Najib’s sentence, Hong Kong’s car-free village, China’s Picasso: 6 weekend reads you may have missed | South China Morning Post Advertisement Advertisement SCMP Highlights + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Malaysia’s former prime minister Najib Razak leaves a court in Kuala Lumpur in 2019...
© » IGNANT
Deep In The Balinese Jungle, TianTaru Preserves The Lost Art Of Indigo Dyeing - IGNANT Name TianTaru Words Anna Dorothea Ker Prized since ancient times for its alluring hue and medicinal properties, indigo holds an illustrious history of textile coloration and enhancement across Asian, Africa and South America—from Tutankhamen’s burial linens to the garments Samurai wore under their armor...
Related artist(s) to: Gabriel Sierra » Rivane Neuenschwander, » Adrián Villar Rojas, » Cildo Meireles, » Jorge Macchi, » Renata Lucas, » Federico Herrero, » Jac Leirner, » Joan Jonas, » Mladen Stilinović, » Pedro Reyes
» see more
© » KADIST
Cildo Meireles
1975Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
© » KADIST
Mladen Stilinovic
1985The Exploitation of the Dead cycle is composed of a very large number of elements which the artist reorganizes differently every time...
© » KADIST
Pedro Reyes
2005In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
