Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition. The title of the series is translated from the Khmer phrase Tuol Sleng , which literally means a poisonous hill or a place on a mound to keep those who bear or supply guilt, and the photographs came from the Tuol Sleng Genocide Museum in Cambodia, a former prison where at least 200,000 Cambodians were executed during the reign of the Khmer Rouge between 1975 and 1979. In this particular image, three men stand against the backdrop of what looks like a prison interior. Their identities are unknown. The ghostly, illuminated space creates a strange effect of time traveling, transporting viewers back to the historical event depicted. The men’s gazes seem to tell stories that have been buried in collective memory. For Lê, the act of appropriating, recycling, and remixing imagery is a means of rescuing both images and the memories embedded within them.
Dinh Q. Lê’s artistic practice centers on his lived experience of political and social conditions in his native Vietnam; he and his family fled the country via Thailand in 1979 and immigrated to the United States. Lê interweaves the experiences that helped shape his identity with Vietnamese national mythologies, collective memories, and expanded cultural histories. Incorporating imagery from a variety of sources, such as archival photographs, documentaries, Hollywood films, and Vietnamese iconography, Lê’s investigations raise critical questions about the distribution, reception, and consumption of images, and how images inform national identity.
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...