Untitled, from Notícias de América series
2012 - Photography (Photography)
30 x 40 cm
Paulo Nazareth
In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way. Instead of flying to this target-location of the contemporary art world, he chose to walk over a great deal of Latin American soil to get there. Through an impressive combination of images, written and visual diaries, found objects and assemblies, Nazareth unveils social and personal ties that exist from household to household, village to village, and city to city. In this particular excerpt from his journey, a set of weathered feet are pictured standing atop an american flag on a broken linoleum floor. This enduring and epic trip sheds light on historical injustices prompted by the colonial enterprise that have historically affected the entire American continent leaving behind all sorts of social, political, and economic inequalities. In this journey, he said he took five things: his life, his passport, his wallet, a hard-drive, and some personal items. On the way, according to him, he lost everything but his life, his wallet and his optimism. Nazareth is a radical nomad, a wandering performance artist who brings racial, national, and transnational questions to the fore.
Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad. His work is often the result of precise and simple gestures, which bring about larger ramifications and raise awareness of pressing issues such as immigration, racialization, globalization, colonialism, and its effects in the production and consumption of art in his native Brazil and the Global South. While Nazareth’s work may manifest in video, photography, and found objects, his strongest medium is in cultivating relationships with people he encounters on the road — particularly those who must remain invisible due to their legal status or those who are repressed by governmental authorities. In certain aspects, Nazareth deliberately embodies the romantic ideal of the wandering artist in search of himself and universal truths, to unveil stereotyped assumptions about national identity, cultural history, and so-called “universal values.”
Colors:
Related works sharing similar palette
© » KADIST
Stan Douglas
1997Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
© » 1854 PHOTOGRAPHY
Profit, power and TV personalities: Photographing the community in conflict with Trump - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Construction and damming of Blairton Burn causing course to collapse between third green and fourth tee; January 2013...
© » KADIST
John Gerrard
2016Flag (Thames) 2016 depicts a small section of the Thames River—one that is adjacent to the Palace of Westminster in London—as an algorithmic representation on an LED panel...
© » ARTS EQUATOR
Weekly Picks: Indonesia (22 - 28 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 Top Picks of Indonesia art events in Solo, Bandung, and Jakarta from 22-28 April 2019 One way to spread values in life is through the media of films...
© » ARTS EQUATOR
U Maung Maung’s blast from the past (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 To some people, these maybe nothing more than trash, some useless pieces of equipment from a forgotten past, but to others these are rare gems that brought back some bittersweet memories from not so long ago, when strife of all kinds – from World War I, World War II, up to the cold war era — dominated the world...
© » ARTS EQUATOR
Reframing The Mental Health Discourse ‘With Time’ | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Zinkie Aw and Drama Box October 20, 2021 By Isaac Tan (1,262 words, 4-minute read) CW: Mentions of issues about mental health and suicide...
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
© » KADIST
Fabien Giraud & Raphael Siboni
2017– In whiche a lemyng starre returneth in the yeer foretolde and alle thing that spak to us turneth ayeyn to silence – Sixth episode of The Unmanned and sharing the same camera movements as the episode “1997 – The Brute Force”, “Mil troi cens quarante huyt” refers to the appearance of a comet in 1759 – thus validating the computation and rational prediction of its return by the British astronomer and mathematician Edmond Halley...
© » KADIST
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...