Untitled, from Notícias de América series

2012 - Photography (Photography)

30 x 40 cm

Paulo Nazareth


In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way. Instead of flying to this target-location of the contemporary art world, he chose to walk over a great deal of Latin American soil to get there. Through an impressive combination of images, written and visual diaries, found objects and assemblies, Nazareth unveils social and personal ties that exist from household to household, village to village, and city to city. In this particular excerpt from his journey, a set of weathered feet are pictured standing atop an american flag on a broken linoleum floor. This enduring and epic trip sheds light on historical injustices prompted by the colonial enterprise that have historically affected the entire American continent leaving behind all sorts of social, political, and economic inequalities. In this journey, he said he took five things: his life, his passport, his wallet, a hard-drive, and some personal items. On the way, according to him, he lost everything but his life, his wallet and his optimism. Nazareth is a radical nomad, a wandering performance artist who brings racial, national, and transnational questions to the fore.


Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad. His work is often the result of precise and simple gestures, which bring about larger ramifications and raise awareness of pressing issues such as immigration, racialization, globalization, colonialism, and its effects in the production and consumption of art in his native Brazil and the Global South. While Nazareth’s work may manifest in video, photography, and found objects, his strongest medium is in cultivating relationships with people he encounters on the road — particularly those who must remain invisible due to their legal status or those who are repressed by governmental authorities. In certain aspects, Nazareth deliberately embodies the romantic ideal of the wandering artist in search of himself and universal truths, to unveil stereotyped assumptions about national identity, cultural history, and so-called “universal values.”


Colors:



Related works sharing similar palette

Artists reflect on Success
© » ART AND CAKE

Artists reflect on Success – Art and Cake August 24, 2023 August 24, 2023 Author Artists reflect on Success Connie Rohman A 2018 study found that 60% of artists make less than $30,000 a year...

Artists reflect on Success
© » ART AND CAKE

Artists reflect on Success – Art and Cake August 24, 2023 August 24, 2023 Author Artists reflect on Success Connie Rohman A 2018 study found that 60% of artists make less than $30,000 a year...

Samuel (Standing), Vaalkoppies (Beaufort West Rubbish Dump)
© » KADIST

Mikhael Subotzky

2006

At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...

Grace Baey’s Portraits of Yangon’s Trans Population (via Coconuts Yangon)
© » ARTS EQUATOR

Grace Baey's Portraits of Yangon’s Trans Population (via Coconuts Yangon) Thinking and Talking about Arts and Culture in Southeast Asia Articles Grace Baey November 19, 2018 Some photographers are able to capture the most delicate moments deftly...

Caroline Polachek gets festive with Bimba y Lola
© » DAZED DIGITAL

Caroline Polachek gets festive with Bimba y Lola | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Fashion Q+A Shot by Petra Collins, the singer is the face of the Spanish label’s latest Christmas campaign Bimba Y Lola 11 December 2023 Text Dazed Digital Bimba y Lola by Petra Collins featuring Caroline Polachek 6 Last year, Bimba y Lola enlisted photographer Petra Collins for its AW22 campaign...

Marcelo Cidade
© » KADIST

São Paulo-based Marcelo Cidade, in Residence at Kadist Art Foundation SF, 2014...

Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023
© » DIANE PERNET

Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...

Antoine Grumbach — Les Yeux du Ciel
© » SLASH PARIS

Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoine Grumbach — Les Yeux du Ciel Exposition Architecture, art urbain, dessin, installations.....

The Rolls-Royce to buy for the Art professional in your life.
© » FAD MAGAZINE

The Rolls-Royce to buy for the Art professional in your life...

Asha Schechter
© » KADIST

Conducted by Devon Bella, this interview was shot on location in Asha Schechter’s Los Angeles studio....

Weekly Picks: Indonesia (22 – 28 April 2019)
© » ARTS EQUATOR

Weekly Picks: Indonesia (22 - 28 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 Top Picks of Indonesia art events in Solo, Bandung, and Jakarta from 22-28 April 2019 One way to spread values in life is through the media of films...

U Maung Maung’s blast from the past (via The Myanmar Times)
© » ARTS EQUATOR

U Maung Maung’s blast from the past (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 To some people, these maybe nothing more than trash, some useless pieces of equipment from a forgotten past, but to others these are rare gems that brought back some bittersweet memories from not so long ago, when strife of all kinds – from World War I, World War II, up to the cold war era — dominated the world...

How Banksy’s 2015 amusement park parody Dismaland transformed a gallery founder’s view of exhibitions
© » SOUTH CHINA MORNING POST

How Banksy’s 2015 amusement park parody Dismaland transformed a gallery founder’s view of exhibitions | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A mermaid sculpture sits in front of a fairy castle at Banksy’s Dismaland amusement park parody in Weston-super-Mare, England, in 2015...

One Two Three Four
© » KADIST

Zhou Tao

2008

Created for the Seventh Shanghai Biennale at the Shanghai Art Museum, Zhou Tao’s 1,2,3,4 records morning staff meetings in over forty shops and companies in the immediate vicinity of the People’s Square...

Noted Hong Kong Art Collectors Make Large Donation of Works to New Museum M+, Mostly by Local Creators - via SCMP
© » LARRY'S LIST

Hong Kong visual culture museum M+ announced it had approved a donation of 90 contemporary artworks, most of them by local creators, from William Lim and his wife Lavina....

Protesters Call for Gaza Ceasefire at Art Basel Miami Beach
© » HYPERALLERGIC

Protesters Call for Gaza Ceasefire at Art Basel Miami Beach Skip to content Protesters installed a banner reading "Let Palestine Live" in front of Art Basel Miami...

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

2013

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...