Untitled (Diptych)

2009 - Painting (Painting)

Mary Ann Aitken

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Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements. The left-side painting is a cacaphonous all over composition of brushstrokes layered in the artist’s signature primary colors. In the same color scheme, the right-side painting portrays a still life with an arrangement of flowers as its focal point, with marks and splatter spilling from the left-side composition into the right. The color palette unites the pair of works, placing them in conversation despite their stylistic opposition. As in most of her work, the paint is layered on thick in an impasto style. Because of the slow-drying nature of oil paint, Aitken would wait days at a time for a single layer to dry before working the next layer, demonstrating a degree of patience with the medium similar to that of old masters. Time and effort are evidenced in her strokes, the visible brushwork reminds the viewer of the labor of its construction, rather than presenting a seamless representation of its subject.

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Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement. Aitken created observational paintings that transcribed ubiquitous imagery of still lifes and street views, some from near her parents’ home and others looking out the window of her studio. She typically employed colors reminiscent of everyday objects in ways that rendered her abstracted views of quotidian scenes unfamiliar. Aitken always followed the same routine in building up her paintings, beginning with flat strokes, then adding numerous layers over the course of months or years. Aitken’s paintings are immensely personal, yet approachable because of her use of images from everyday life.

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Colors:

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• painting.n.01
• materiality.n.02
• representation.n.02
• texture.n.01
• surface.n.02