Untitled (Colors) and Untitled (Ghost)

2010 - Drawing & Print (Drawing & Print)

Alicia McCarthy

location: Oakland, California
year born: 1969
gender: female
nationality: American
home town: Oakland, California

A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.


San Francisco-based Alicia McCarthy graduated from the San Francisco Art Institute in the late 1990s and later pursued an MFA at UC Berkeley. She is now considered part of the first generation of “Mission School” artists, alongside Barry McGee, Rubi Neri, and Rigo23. McCarthy’s early work was largely associated with collective practices, graffiti art, and San Francisco’s active queer punk scene. In line with a trend that rejects the use of consumer goods, McCarthy’s paintings often begin with found materials such as discarded wood panels, on which she paints and draws with acrylic, latex, graphite, or crayon.


Colors:



Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

2008

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Untitled
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Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Stowe
© » KADIST

James Welling

2006

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

Chocolate Bars, Eggs, Milk
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Elad Lassry

2013

In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

2006

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

The Transparencies of the Non-Act
© » KADIST

Mario Garcia Torres

Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...

Central Station
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Firenze Lai

2013

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...

One Minute To Act A Title: Kim Jong Il Favorite Movies
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Mario Garcia Torres

2005

Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...

Oakland Girls
© » KADIST

Pascal Shirley

2006

Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...

Alignment
© » KADIST

Firenze Lai

2013

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...

Untitled (Butterfly)
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Mark Grotjahn

2002

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...

Domes, #1
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Judy Chicago

1969

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...

Up All Night, Waiting for the Chelsea Hotel Magic to Spark my Creativity
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Mario Garcia Torres

2010

In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...

Converting
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Zai Kuning

2014

Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...

Until It Makes Sense
© » KADIST

Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

Gypsy
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Pascal Shirley

2006

Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...