11H x 14W inches each
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California. Taken outside Palmdale, Littlerock, Pearlblossom, Victorville, and Barstow, towns where the population does not exceed 20,000, Ruppersberg’s trip follows the outskirts of Los Angeles. As with many of his other photographic series, the artist here inserted into each view a constant element that disturbs the otherwise quiet scenes: a hand holding an open magazine. By pairing each road sign with magazines as diverse as Playboy , Look , Hulk comics, Arizona Highways or Rona Barrett’s Hollywood , Ruppersberg teases the viewer to find a connection between the two.
Like many of his peers in the 1960s, Allen Ruppersberg recognized art as existing not in the isolated realm of aesthetics, but as a practice with a clear political and critical potential, one inextricably immersed in an economic system. Ruppersberg took as source material diverse items stemming from a distinct American form of popular culture of the mid-twentieth century. However, it was perhaps his particular use of everyday rituals to explore different cultural mythologies and narratives that separated him from many conceptual artists of his generation. For a period between the late 1960s and early 1970s, Ruppersberg developed several series of photographs that privileged a certain kind of neutrality, stillness, and emptiness that resembled the seemingly authorless images of mass-produced postcards or calendars. But in his works the artist often hid distinct clues, like an unopened newspaper left on an unmade bed in a hotel room. In this series Ruppersberg was also interested in the suggestion of narrative or uncanny storytelling through the juxtaposition or sequential arrangement of images.
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Created during Zhao Renhui’s residency at Kadist SF in 2014, the photographic grid features a selection of some 6,000 members from single family of flies –hoverfly– identified over the last 25 years by Sacramento-based Dr...
The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Press Release: Art21 to Release New Film: “Hannah Levy’s Adaptive Structures” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 15:03 Add to watchlist Politics of Listening Lawrence Abu Hamdan Extended Play February 7, 2024 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents...
Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
Jessie Stead’s Punched Interlude works are made out of found police barricade tape that she punches holes in and then runs through a music box, the music is composed by her as audible reflection on barricades and no go zones throughout the city of New York in area of Donald Trump...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...