4.5H x 3W inches
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico. She had a keen eye for architectural composition, and captured eloquent details using a delicate platinum print process. In 1929 she was deported from Mexico because of her involvement in the Communist party and went to Europe. Soon thereafter her work began to blend her eye for space and shape with a more critical social angle, often engaging in an overtly anti-Fascist discourses. Untitled (Cathedral) (ca. 1930), taken after her arrival in Europe, is an excellent example of her skillfully composed architectural pictures. It evokes ideas about how the composition of public spaces can influence both politics and cultural life.
Tina Modotti was an Italian film actress and photographer. As a photographer, she collaborated with Edward Weston and extensively documented the Mexican mural movement. In addition to her photography of Diego Rivera’s murals, she is also depicted in five of them. Modotti was involved in both the artistic and political avant-gardes of Mexico City, befriending members of and eventually joining the Mexican Communist party. Political repression forced her to move back to Europe, and she eventually lived in Moscow before moving to Spain when the Civil war began in 1936. In 1939, she returned to Mexico, where she died in 1942.
Christie’s Hong Kong autumn 2023 auctions fetch US$384 million, see strong demand for Asian masterpieces | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “Bad Barber” (2000), by Yoshitomo Nara, sold for HK$51.2 million including fees on November 28 during Christie’s 20th- and 21st-century art evening sale in Hong Kong, part of the auction house’s 2023 autumn sales...
Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota...
AExGTF Chats: Charlie Lim and .gif in George Town | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 20, 2018 On the closing weekend of the George Town Festival, ArtsEquator interviewed Singaporean musician Charlie Lim and indie-electronic music duo .gif who were in Penang to perform at China House, along with other Singaporean musical acts including Tabitha Nauser and Yung Raja...
Weekly Picks: Singapore (25 – 31 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 25, 2019 NYFA Conference 2019 – Film Industry 101: How Do I Get My Films Made, *SCAPE, 31 March 3pm For a young filmmaker, the road to making a feature film can be daunting; from securing funding to getting the right team for your film, there are many components to pulling a project together...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
25th "Sculpture by the Sea" Brings Over 100 Artworks to Australian Coast Home / Art / Sculpture 25th Annual ‘Sculpture by the Sea’ Brings 100 Artworks to Australian Coast By Margherita Cole on December 11, 2023 Gleb Dusavitskiy, “I Believe I Can Fly.” (Photo: Tyr Liang) Once a year, part of the Australian coastline is transformed into an outdoor museum during the Sculpture by the Sea festival...
Lengüitas sagradas (Blessed Little Tongues) by Juliana Góngora is the result of a careful creative job between Juliana Góngora and the Koreguaje community and their workshop Masipai...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Arnaud Bouvier "Learning”, choreographed by Liz Santoro and Pierre Godard February 25, 2019 By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019...
Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll...