Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language. The images in the ZZYZX series begin in the desert east of Los Angeles and drift west, through the city, and finally end at the Pacific ocean. This general westward movement is a pilgrimage toward the ocean, and alludes to the manifest expansion of America from east to west. The people, places, and animals in the series did appear before Halpern’s camera, but he has selected and organized the images into a work of fiction or fantasy, with assistance from artist Jason Fulford on the sequence. The work brings together seemingly disparate images of environmental crisis, kinship, entertainment, urbanity, and stunning vistas. There is a strange narrative harmony to the series—the sublime, the psychedelic, and the self-destructive. Southern California is unpredictable, wild. Cultures and histories coexist, the beautiful sits next to the ugly, the redemptive next to the despairing, and all under the golden state’s radiant light, as transcendent as it is brutal.
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering. Combined with a curiosity about the elusive qualities of Americanness, he makes images that mix documentary and fiction. He has been celebrated for his pioneering photobooks, which involve rich colors, thoughtful sequencing, and evocative associations between images as a form of storytelling.
Angel Vergara at Axel Vervoordt Gallery – ARTOMITY 藝源 Angel Vergara / Acts & Paintings, Hong Kong / Nov 18, 2023 – Mar 16, 2024 / Opening: Saturday, Nov 18, 1pm – 7pm / Artist Performance with Hong Kong New Music Ensemble, Nov 18, 3 pm – 3:30 pm / Axel Vervoordt Gallery 21/F, Coda Designer Centre 62 Wong Chuk Hang Road Entrance via Yip Fat Street, Wong Chuk Hang +852 2503 2220 Tuesday – Saturday, 11am – 7pm axel-vervoordt.com Painting is often considered a static art form...
Weekly Picks: Indonesia (15 - 21 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 15, 2018 Top Picks of Indonesia art events in Bali, Yogyakarta, and Jakarta from 15-21 October 2018 The first edition of Art Bali is here from the 9th of October to the 9th of November...
In her film Retiro (2019), Natalia Lassalle-Morillo considers how women pass down memories to their kin as they age...
Carolee Schneemann: Of Course You Can/Don’t You Dare at PPOW Gallery advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 Carolee Schneemann: Of Course You Can/Don’t You Dare at PPOW Gallery Installation view, Carolee Schneemann: Of Course You Can/Don’t You Dare at PPOW Gallery...
The film Man and Gravity follows the journey of a man in an old, beaten motorcycle, struggling to transport his possessions through a mountainous landscape...
HFT The Gardener/Diagrams exemplifies Suzanne Treister’s interest in esoterica , cybernetic awareness and hallucinatory aesthetics as an emanation and contrast to the real world through the exploring circulations of power...
Siapa Nama Kamu? – Questions to Answer a Friend | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Via Artsy.net September 13, 2019 By Syed Muhammad Hafiz (1,823 words, 7-minute read) Recently I was asked by a friend, “How come I don’t see any local Malay artists in the current show at National Gallery Singapore (NGS)?”...
The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Nina Azoulay — Comme un rond dans un carré Exposition Installations, sculpture Derniers Jours Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Encore 7 jours : 11 janvier → 18 février 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
sommaire du n°515 - novembre 2023 - artpress X 23 octobre 2023 Dans AP Print , artpress , artpress mensuel , sommaires sommaire du n°515 – novembre 2023 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour novembre par ici ! Édito 5 Faire histoire Making History Étienne Hatt INTRODUCING 6 Frederik Exner Laurent Quénéhen Chroniques / Columns 11 Dépression verte Green Depression Paul Ardenne 15 L’image en creux Implicit Image Étienne Hatt 19 Gilles Aillaud, animal peinture Gilles Aillaud, Animal Painting Anne Bertrand Point de vue / Opinion 22 Picasso, où est le problème ? Picasso, What’s the Problem ? Frédérique Joseph-Lowery ACTUALITÉS / SPOTLIGHTS 26 Les 10 ans de la Bourse Révélations 10 Years of the Révélations Emerige Grant Interview de Gaël Charbau par Étienne Hatt 30 Les Douches la Galerie, concentré de photographie Les Douches la Galerie, a Photographic Concentrate Aurélie Cavanna DOSSIERS 34 GRANDE INTERVIEW Dana Schutz, une peinture métaphorique Dana Schutz, A Metaphorical Painting Interview par Eleanor Heartney 42 MATÉRIALITÉS PHOTOGRAPHIQUES PHOTOGRAPHIC MATERIALITIES 44 L’image entre présence et absence Images between Presence and Absence Interview d’Héloïse Conésa par Étienne Hatt 49 Regard transatlantique, d’hier à aujourd’hui A Transatlantic Perspective, Then and Now Marie Auger 54 Gilles Aillaud en héritage The Legacy of Gilles Aillaud Annabelle Gugnon 62 ROTHKO VU D’EUROPE ROTHKO SEEN FROM EUROPE 64 Mark Rothko, Psaume Mark Rothko, Psalm Philippe Sollers 66 Rothko-Hartung, affinités électives Rothko-Hartung, Elective Affinities Interview de Thomas Schlesser par Julie Chaizemartin 71 expositions / reviews Triennale Art & Industrie Bernard Moninot Fashion folklore Baptiste Roux Corps à corps Un-Tuning Together Jonathan Meese Sasha Ferré Armelle de Sainte Marie Un pli du bord du monde 82 agenda 85 livres Yuk Hui, reconstruire une pensée de la technique Pascal Quignard, heures heureuses, où êtes-vous ? Clément Ghys, la contreculture est une bombe à retardement Sarah Chiche, l’œuvre au bleu (de Prusse) Enrique Vila-Matas, la biographie d’un style Stefano D’Arrigo, mythologie de la langue Liliane Giraudon, traversée par l’écriture Jean-Luc Giribone, la sagesse dans une âme et un corps Antoinette Deshoulières, liberté baroque 96 Comptes rendus 98 Le feuilleton de Jacques Henric Albert Ayler À venir, artpress n°516, décembre 2023 Interview Jérôme Zonder Les 50 ans de la galerie Baronian Les formes de la ruine au musée des beaux-arts de Lyon Victor Burgin au Jeu de Paume et au CPIF… Couv...
Pico Iyer and Raffles Hotel, or the Nowhere Hotel | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Derek Shapton; Epigram Books January 21, 2020 Celebrated writer Pico Iyer spent fifteen days in Singapore last August doing a residency at the newly reopened Raffles Hotel as its first official writer-in-residence...
Juan Uslé — Viento sur — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Juan Uslé — Viento sur — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Juan Uslé — Viento sur Exposition Peinture Juan Uslé, Fulgor Celeste, 2023 (Détail) Vinyle, dispersion, acrylique et pigment sur toile — 198 × 112 cm Courtesy de l’artiste et galerie Lelong & Co...