Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless). The work uses collage techniques—it is stapled down and has a thick strip of contact sheet paper taped over it—that convert the media coverage on Godard’s film into a filmic object itself. The black paper enacts a kind of cinematic “jump cut” on the article, while simultaneously drawing attention to the medium of the film, as well as the photograph reproduced in this newspaper article. The composition has a casual and dynamic stylishness to it (as do the movie stars lying in bed), which is contradicted somewhat by the static utilitarian aesthetic of the piece’s construction. The tape and staples hold the more dominant visual elements in place and recall printmaking tools.
British-born and Vancouver-based, Ian Wallace is known for his conceptual art practice and critical writings. Since the mid-1980s, the artist has explored the relationship between documentary photography—often featuring sites of urban development—and abstract monochrome painting, to investigate the characteristics of media-specificity and the limitations of representation.
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Rosalind Nashashibi’s paintings incorporate motifs drawn from her day-to-day environment, often reworked with multiple variations...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...