Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance. Known for going against trends, Aitken often favored dimensions, such as the square, that were otherwise considered out of style in contemporary painting. In this double-sided painting, one side depicts the titular boombox set up—a boxy cassette player, flanked by a pair of stereo speakers in front of wood panelling. The reverse side portrays a more abstract composition in textured and dimensional layers of black and white, with hints of yellow, red, and green. As in most of her work, the paint is layered on thick in an impasto style. Because of the slow-drying nature of oil paint, Aitken would wait days at a time for a single layer to dry before working the next layer, demonstrating a degree of patience with the medium similar to that of old masters. Time and effort are evidenced in her strokes, the visible brushwork reminds the viewer of the labor of its construction, rather than presenting a seamless representation of its subject.
Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement. Aitken created observational paintings that transcribed ubiquitous imagery of still lifes and street views, some from near her parents’ home and others looking out the window of her studio. She typically employed colors reminiscent of everyday objects in ways that rendered her abstracted views of quotidian scenes unfamiliar. Aitken always followed the same routine in building up her paintings, beginning with flat strokes, then adding numerous layers over the course of months or years. Aitken’s paintings are immensely personal, yet approachable because of her use of images from everyday life.
London’s Middle Eastern art sales have defied tensions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news London’s Middle Eastern art sales have defied tensions Auction purchases by Arab cultural entities overcome early uncertainties of Israel-Hamas war Melissa Gronlund 7 December 2023 Share Samia Halaby’s Seventh Cross No...
Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State About AFC Board AFC Editions Donate Art F City Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State by Paddy Johnson and William Powhida on November 2, 2020 Explain Me + Podcast Tweet Image by Andy Adams...
Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre - Artcentron Home » Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre ART Feb 1, 2024 Ξ Leave a comment Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre posted by ARTCENTRON A close-up shows how the Mona Lisa vandalism raises serious concerns about protection...
Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
"A Land Imagined" and The Ghosts We Forget | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography February 21, 2019 By Alfonse Chiu (1200 words, six-minute read) The three definitions of the word “ghost” from the Oxford dictionary are as follows: the first, “an apparition of a dead person which is believed to appear or become manifest to the living”; the second, “a slight trace or vestige of something”; and the third, “a faint secondary image caused by a fault in an optical system, duplicate signal transmission, etc.” In all three, presence is a suggestion of memory, amenable to corrections by means of a quick scrub of one’s spectacles...
The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK...
o que diriam as pedras a marte? [What would the stones say to Mars?] is a sculptural work consisting of two parts by arquivo mangue...
Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Le Combat » (1928), de Giorgio De Chirico...
Frontier Danceland's "Milieu" 2018: Emotional Rollercoasters | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng December 10, 2018 By Winnie Chen Dixon (860 words, four-minute read) It was a night of emotional rollercoasters and an audio-visual feast at Frontier Danceland’s double bill Milieu 2018 ...
Rediscovered panels by proto-Renaissance master Lorenzetti soar at auction Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Rediscovered panels by proto-Renaissance master Lorenzetti soar at auction A painting depicting Pope Sylvester I made €3m, while a portrayal of Saint Helena more than doubled its high estimate, selling for €1.6m Kabir Jhala 14 December 2023 Share Pietro Lorenzetti's depiction of Pope Sylvester I (left) and Saint Helena (right) "Rare" is a word all too commonly employed by auction house marketing teams, but in the case of two panel paintings by the early 14th-century Sienese master Pietro Lorenzetti that sold at Paris auction house Tajan last evening, its use is justified...
That $4 Thrift Shop Painting Finally Does Sell for Big Bucks - The New York Times Arts | That $4 Thrift Shop Painting Finally Does Sell for Big Bucks https://www.nytimes.com/2023/12/16/arts/nc-wyeth-sale-thrift-shop.html Share full article Advertisement SKIP ADVERTISEMENT The saga of the $4 thrift shop painting has a happy ending after all...