In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.
Robert Therrien’s work assumes a variety of forms that transform objects through visual similarity, graphic reduction, or shifts in scale. His art, accordingly, seems embedded in the structures of experience. Therrien’s work inserts itself between the viewing subject and the external and objectified world. We see the Platonic forms of objects and shifts in scale, reminding us of our perspective and embodied engagement with the world.
Georgia Dispatch: Living and Making in the American South Suzanne Jackson, Yanique Norman, and Katya Tepper in conversation with Erin Jane Nelson, in collaboration with Burnaway Long before Georgia surprised the world in two recent US elections, the Peach State was a vital cultural and political force, shaping everything from food and music to queer culture and Civil Rights activism...
Caetano de Almeida’s abstract compositions in acrylic use delicately-rendered swirls of overlapping, colorful lines...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Interview with Megan Nugroho and Samuel Alexander Forest - ArteFuse Where do we look for the antidote to the inevitable challenges and disenchantment of living in global metropolises? At Tutu Gallery, Land Language/Bahasa Bumi offers a place of refuge rooted in Javanese landscape and opens up a world in which nature’s intimate immediacy is materialized...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
Turner Prize Winner Jesse Darling Claims the Spotlight - Artcentron Home » Turner Prize Winner Jesse Darling Claims the Spotlight ART Dec 15, 2023 Ξ Leave a comment Turner Prize Winner Jesse Darling Claims the Spotlight posted by ARTCENTRON Jesse Darling, Turner Prize Winner with Delirious at Towner Easbourne...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
Kosovo Serbs Protest Euro-Only Policy as Bank Offers Transition Period - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Citizens in North Mitrovica protest euro only policy regulation of the Kosovo Central Bank; Photo/BIRN Kosovo Serbs Protest Euro-Only Policy as Bank Offers Transition Period Kosovo Serbs on Monday held a protest in North Mitrovica against the new rule enforcing use of the euro as the sole currency, as the Central Bank announced a three-month 'transition' period and measures to ease implementation of the policy...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
Weekly Picks: Indonesia (17 - 23 December 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 17, 2018 Top Picks of Indonesia art events in Bali and Solofrom 17-23 December 2018 The year is coming to a close but there are still a few exciting art events that might brighten your holiday season...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...