In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.
Robert Therrien’s work assumes a variety of forms that transform objects through visual similarity, graphic reduction, or shifts in scale. His art, accordingly, seems embedded in the structures of experience. Therrien’s work inserts itself between the viewing subject and the external and objectified world. We see the Platonic forms of objects and shifts in scale, reminding us of our perspective and embodied engagement with the world.
Georgia Dispatch: Living and Making in the American South Suzanne Jackson, Yanique Norman, and Katya Tepper in conversation with Erin Jane Nelson, in collaboration with Burnaway Long before Georgia surprised the world in two recent US elections, the Peach State was a vital cultural and political force, shaping everything from food and music to queer culture and Civil Rights activism...
Plan to Restore Pyramid in Granite Draws Criticism | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Weekly Picks: Singapore (22 – 28 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 22, 2018 ETHNI-CITY III – Kali Yuga by SAtheCollective, LASALLE College of the Arts, Flexible Performance Space, 26 – 27 October Kali Yuga is the latest installment of ETHNI-CITY, and it’s slated to be held this October...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Habits and customs of _______ are so different from ours that we visit them with the same sentiment that we visit exhibitions Lu Huanzhi, Ho Tzu Nyen, Li Liao, Irena Haiduk, Siniša Ilic, Eva Barto Editors: Biljana Ciric and Fayen d’Evie Design: 3-ply, Toby Tam and Biljana Ciric Risograph cover, 5 x BW digital print booklets...
Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 The artists outside Mine 3 of Platåberget Mountain, in a moment of silence with their boxes in the goodbye ceremony to the exhibition...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
Weekly Picks: Indonesia (17 - 23 December 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 17, 2018 Top Picks of Indonesia art events in Bali and Solofrom 17-23 December 2018 The year is coming to a close but there are still a few exciting art events that might brighten your holiday season...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...