Untitled (Blue Chapel)

1985 - Painting (Painting)

Robert Therrien

location: Los Angeles, California
year born: 1947
gender: male
nationality: American
home town: Chicago, Illinois

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.


Robert Therrien’s work assumes a variety of forms that transform objects through visual similarity, graphic reduction, or shifts in scale. His art, accordingly, seems embedded in the structures of experience. Therrien’s work inserts itself between the viewing subject and the external and objectified world. We see the Platonic forms of objects and shifts in scale, reminding us of our perspective and embodied engagement with the world.


Colors:



Sleeping Elephant in the Axis of Yogyakarta Series
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Wimo Ambala Bayang

2011

Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...

Untitled (Ticket Roll)
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Gabriel Kuri

2010

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

Shasta
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Diego Rivera

1940

In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...

20 Surrogates
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Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

Untitled #1 #2 #3
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Piero Golia

2007

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

Untitled (Construction)
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Larry Bell

2007

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...

Armless
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Chloe Piene

2005

The figure in Armless tapers away...

Cemetery #1
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Gabriel Orozco

2002

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Masks (Merkel F6.1)
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Simon Fujiwara

2016

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...

Hand Palm Echo 1
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Christine Sun Kim

2022

Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...

Roca Grafito (Graphite Rock)
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Mateo Lopez

2012

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Charco portatil congelado (Frozen Portable Puddle)
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Gabriel Orozco

1994

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...

Perro en Tlalpan (Dog in Tlalpan)
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Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Its Always Fun to Live in This Country
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Eko Nugroho

2009

Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...

Untitled
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Jedediah Caesar

2009

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...

A meditation on the possibility…
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Daniel Joseph Martinez

2005

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...