Untitled (Blue Chapel)

Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief...

In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...

As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...

Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...

From among a cloud of fake smoke we see a heavily pregnant Cohen wearing a bikini and golden stilettos with lace-up straps wrapped around her legs, grasping onto the frame of a modified car as its loud hydraulic system clumsily moves it up and down...

The photographic work Lowrider Builder and Child is a companion piece to the video Hydroforce , which features Cohen in the late stage of her pregnancy posing atop a German car that she transformed into a lowrider in a period of ten years...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...